18세기 시조 문맥에서 경화사족의 위치

Abstract

In this study, the author led the discussion with the object of exploring the position of Kyunghwa-Sajok-rich noble families living in Seoul- in the context of sijo history during the 18th century. For an vivid understanding of spaces for Kyunghwa-Sajok to enjoy sijos, this study attempted to explain the introduction of new music for sijo singing and the character of enjoyment gathering. During this period, sakdaeyeop appeared as vocal music for singing sijos. Although jungdaeyeop, which had been sung since the 17th century, and sakdaeyeop coexisted, sakdaeyeop became dominant over time. As this music was high‐toned and fast, it was far from chidojieum-the music for cultivating people's mind and harmonizing the law of nature- of traditional music for literati. There was a conflict over the introduction of sakdaeyeop inside the class enjoying sijos, but as many of Kyunghwa-Sajok and singers enjoyed geumjo sakdaeyeop, sijo singing made progress. Kyunghwa-Sajok enjoyed sijos(songs) actively as art lovers, performance sponsors, and patrons. While the former were appreciators with high‐level musical sense and created the culture of enjoying songs among colleague literati, the latter associated with singers actively and led larger scale performances. In the course of enjoyment, Kyunghwa-Sajok played the role of the base for creating and communicating works in the spaces for enjoying sijos, and contributed to the spread of songs and the culture in Seoul.