목은 이색의 詠花詩 연구 -매화시, 국화시, 연꽃시를 중심으로
The study on Mokeun Lee Saek's poems about flowers - the case study of ume poems, chrysanthemums poems and lotus poems
0
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
Lee Saek(1328~1396), who wrote the most poems among the poets in Goryeo dynasty, left 70 poems about flowers. He lived through Goryeo and Josen Dynasty. In Lee Saek's poems, not only purely describe the flowers poise, but also mainly emphasize the characteristics of the writer's life. From admiring the flowers to the composing the poems about flowers, brings a sense of elegance to Lee Saek's works. His chrysanthemum poems focus on Tao YuanMing's immersion with chrysanthemums' image. The chrysanthemums are used as a symbol representing Tao. The chrysanthemums struggle between reality and ideal, which represented the pursuing of the ideal human principle. In Lee Saek's poems, the lotus is pure and white, representing righteousness. In contrast to the ume and chrysanthemums poems, the composition of the lotus poems was done during chatting, dining and drinking with friends. When drinking with friends with similar interests, admiring lotus blossoms was enjoyed greatly by the writer. Lee Saek's focus was on describing the exterior appearances of the flowers, rather than on describing the symbolic spirit of these flowers represented. Therefore, in his poems about flowers, it is extremely rare to maintain singular representation for each flower. In other words, in his poems about flowers, he leaned more towards these flowers' spiritual symbol than the flowers' beauty. This is due to the fact that Lee Seak included human nature's principles into the poems about flowers. Of course, the principle of human nature was not the only thing Lee Saek considered when he admired flowers. Some poems were composed based on daily life, these poems, though they bored influences from foremen, can be expressed in a freer fashion to a large extent.
Abstract
Lee Saek(1328~1396), who wrote the most poems among the poets in Goryeo dynasty, left 70 poems about flowers. He lived through Goryeo and Josen Dynasty. In Lee Saek's poems, not only purely describe the flowers poise, but also mainly emphasize the characteristics of the writer's life. From admiring the flowers to the composing the poems about flowers, brings a sense of elegance to Lee Saek's works. His chrysanthemum poems focus on Tao YuanMing's immersion with chrysanthemums' image. The chrysanthemums are used as a symbol representing Tao. The chrysanthemums struggle between reality and ideal, which represented the pursuing of the ideal human principle. In Lee Saek's poems, the lotus is pure and white, representing righteousness. In contrast to the ume and chrysanthemums poems, the composition of the lotus poems was done during chatting, dining and drinking with friends. When drinking with friends with similar interests, admiring lotus blossoms was enjoyed greatly by the writer. Lee Saek's focus was on describing the exterior appearances of the flowers, rather than on describing the symbolic spirit of these flowers represented. Therefore, in his poems about flowers, it is extremely rare to maintain singular representation for each flower. In other words, in his poems about flowers, he leaned more towards these flowers' spiritual symbol than the flowers' beauty. This is due to the fact that Lee Seak included human nature's principles into the poems about flowers. Of course, the principle of human nature was not the only thing Lee Saek considered when he admired flowers. Some poems were composed based on daily life, these poems, though they bored influences from foremen, can be expressed in a freer fashion to a large extent.
참고문헌 (30)
- 李穡, "牧隱詩藁 3ㆍ4" (1990), 한국문집총간
- 여운필, "역주 목은시고" (2005), 월인
- 이종복, "목은한시선" (1999), 以會文化社
- 임정기, "(국역)목은집" (2001), 민족문화추진회
- 강재철, "목은 이색의 사군자시 연구", 한문학논집, 5 (1987), 단국한문학회
- 高蓮姬, "정약용의 花卉에 대한 관심과 花卉詩 고찰", 東方學, 7 (2001), 한서대학교 동양고전연구소
- 김연희, "송대 영화시 연구-사군자를 중심으로", 석사, pp.2002
- 金準玉, "詠物詩의 性格 考察", 韓國言語文學, 29 (1991), 한국언어문학회
- 류호진, "이색 시의 예술경계와 그 정신적 의미" (2004), 경인문화사
- 徐盛, "중당 영물시의 발전방향과 그 특징", 중국어문논총, 21 (2001), 중국어문연구회
- 成範重, "東國四詠 硏究" (2006), 月印
- 申千湜, "목은 이색의 학문과 학맥" (1998), 一朝閣
- 여운필, "이색의 시문학 연구", 박사, pp.1993
- 이주희, "李商隱 詠物詩에 나타난 人生感慨-詠花詩를 중심으로", 中國語文學, 46 (2005), 嶺南中國語文學會
- 이해원, "歷代 詠梅詩詞에 나타난 梅花의 象徵意味 硏究", 중국학논총, 15 (2003), 한국중국문화학회
- 임원빈, "李商隱 詠物詩의 抒情性", 중국연구, 35 (2005), 한국외국어대학교 외국학종합연구센타 중국연구소
- 장준영, "두보(杜甫) 영물시의 정신세계", 중국학연구, 31(31), pp.39~78 (2005), 중국학연구회
- 허경진, "시에 나타난 국화의 의미", 연세어문학, 12 (1979), 연세대학교 국어국문학과
- 桂舟, "中國古典詩人與梅蘭竹菊", 江蘇工業學院學報, 4(4) (2003)
- 金聲, "花影妖?各占春-古代詠早春花卉秀句欣賞", 名作欣賞, 第四期
- 馬曉東, "從禪意詩中的花月意象看古代文人的虛靜守一" (2006), 遼寧師專學報(社會科學版)
- 成曙霞, "古代詠菊詩審美價?略論", 安康師專學報, 17 (2005)
- 楊靜, "唐牡丹詩與牡丹文化", 荷澤師專學報, 24(3)
- 閻來恩, "花卉,透視心靈的?鏡-論李商隱的詠花詩", 遼寧師範大學學報(社會科學版), 27(4)
- 李?, "?得合讓梅爲最,陽?叢中許牡丹-唐詠牡丹詩與宋梅詩的比較" (2004), 鹽城工學院學報
- 李振中, "談岑參詩中梨花意象意義及成因" (2006), 牡丹師範學院學報(哲社版)
- 張紋華, "論李?照詞的花意象-從唐宋文人審美、女性情感審視李?照詞的花意象" (2006), 語文學刊
- 趙紅, "儒、道、禪思想與唐桃花詩的審美情趣" (2006), 浙江學刊
- 陳?雲, "略論白居易詠花詩", 晉中學院學報, 23(4)
- 陳小芒, "菊詩與菊文化" (2003), ?南師範學院學報
