박목월의 후기시에 나타난 초월성의 은유 미학
A Study on Metaphoric Aesthetics of Transcendence in Park Mok-wol's Late Period Poetry
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This study is to explore in what metaphoric system the Christian transcendence in Park Mok-wol's late period poem 『The Big and Soft Hands』 generates poetic meanings by employing Hrushovski's theory of frame of reference and examine his esthetic renewal unveiled through this process. The second chapter discusses metaphor of visionary life that appears in Park Mok-wol's poems. His poems embody transcendence through visionary experience by the direct revelation of God. It materializes vitality infinitely expanding via vertical and horizontal expansions. The third chapter discusses metaphor of paradoxical awakening in his poems. His poetry unveils paradoxes by identifying the death of ego with a new life. This realizes transcendent awakening as “Emptiness” by the death of ego interacts with and merges with “Refreshment” by the divine life. In the fourth chapter, metaphor of omnipresent divinity in his poetry is discussed. Park's poems written in the late period embody direct transcendence by the divine omnipresence. He materializes the omnipresent divinity as he forms various frames of reference. In short, Park's late period poetry 『The Big and Soft Hands』 realizes transcendence using various metaphors related with visionary life, paradoxical awakening and omnipresent divinity. His poems create poetic meanings and tension by combining various frames of reference in metaphoric relations, and thereby reveal his perceptual expansion and aesthetic renewal.
Abstract
This study is to explore in what metaphoric system the Christian transcendence in Park Mok-wol's late period poem 『The Big and Soft Hands』 generates poetic meanings by employing Hrushovski's theory of frame of reference and examine his esthetic renewal unveiled through this process. The second chapter discusses metaphor of visionary life that appears in Park Mok-wol's poems. His poems embody transcendence through visionary experience by the direct revelation of God. It materializes vitality infinitely expanding via vertical and horizontal expansions. The third chapter discusses metaphor of paradoxical awakening in his poems. His poetry unveils paradoxes by identifying the death of ego with a new life. This realizes transcendent awakening as “Emptiness” by the death of ego interacts with and merges with “Refreshment” by the divine life. In the fourth chapter, metaphor of omnipresent divinity in his poetry is discussed. Park's poems written in the late period embody direct transcendence by the divine omnipresence. He materializes the omnipresent divinity as he forms various frames of reference. In short, Park's late period poetry 『The Big and Soft Hands』 realizes transcendence using various metaphors related with visionary life, paradoxical awakening and omnipresent divinity. His poems create poetic meanings and tension by combining various frames of reference in metaphoric relations, and thereby reveal his perceptual expansion and aesthetic renewal.
참고문헌 (25)
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