레르몬토프의 서사시 <견습수도사>의 주인공 형상 연구
A Study on the Main Character of Lermontov's Epic Poem The Novice
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The Novice which is picked as one of the masterpiece poem written in his later years by M.Yu.Lermontov together with Demon, is considered as one of the last romantic poetry that 19th century Russian literature yielded. At the same time, it is regarded that the poem embodies the poetics and attitude toward life of the mature poet by breaking the shell of Romanticism. This poem was completed in 1839, but the initial ideation goes all the way back to 1831. The idea of writing an essay of a young monk had evolved for several years to the protagonist of The Novice, and thus, the importance of the protagonist is very significant in the composition and poetics of the work. The most noticeable part in The Novice is the fact that the passionate confession of the protagonist-narrator and the figure formed through it firmly serves as the pivot in the composition of the poem, dominating and governing all the components in the work. So-called “hero-centric” tendency which is found in overall romantic works is especially prominent from Lermontov. The Novice shows an extreme case of this. Considering the points mentioned above, this paper mull over the composition of The Novice focusing on the figure of the protagonist. The main objectives of the paper are clarifying compositional significance of each part of the text and reviewing the personality and mental state of the hero that can be observed in each part.
Abstract
The Novice which is picked as one of the masterpiece poem written in his later years by M.Yu.Lermontov together with Demon, is considered as one of the last romantic poetry that 19th century Russian literature yielded. At the same time, it is regarded that the poem embodies the poetics and attitude toward life of the mature poet by breaking the shell of Romanticism. This poem was completed in 1839, but the initial ideation goes all the way back to 1831. The idea of writing an essay of a young monk had evolved for several years to the protagonist of The Novice, and thus, the importance of the protagonist is very significant in the composition and poetics of the work. The most noticeable part in The Novice is the fact that the passionate confession of the protagonist-narrator and the figure formed through it firmly serves as the pivot in the composition of the poem, dominating and governing all the components in the work. So-called “hero-centric” tendency which is found in overall romantic works is especially prominent from Lermontov. The Novice shows an extreme case of this. Considering the points mentioned above, this paper mull over the composition of The Novice focusing on the figure of the protagonist. The main objectives of the paper are clarifying compositional significance of each part of the text and reviewing the personality and mental state of the hero that can be observed in each part.
참고문헌 (17)
- 레르몬토프, 미하일, "우리 시대의 영웅", pp.274~306 (1991), 한길사
- Аношкина-Касаткина В.Н, "Сиротский мотив в поэме М.Ю.Лермонтова«Мцыри» (Об итогах творчества поэта)", Вестник МГОУ. «СерияРусская фипология», 3, pp.101~109 (2011)
- Бедоев Л.М, "Образ героя поэмы М.Ю.Лермонтова «Мцыри» виллюстрациях художников в XIX-XXI веков (проблемаинтерпретации), Исторические, философские, политические июридические науки, культурология и искусствоведение. Вопросытеории и практики", 24~26 (2012)
- Вацуро В.Э, "Поэмы М.Ю.Лермонтова, Лермонтов М.Ю. Собраниесочинений в 4 т., Т. 2", pp.525~534 (1980), Наука
- Кимура Т, "Грузинский вопрос в поэме М. Ю. Лермонтова"Мцыри"", Japanese Slavic and East European Studies, 3, pp.57~72 (1982)
- Коновалова А.Е, "Тема рока в кавказских поэтмах Лермонтова", Литературоведческий журнал, 20, pp.16~25 (2005)
- Лермонтов М.Ю, "Мцыри, Собрание сочнений в четырех томах. Т. 2", pp.405~424 (1980)
- "Лермонтовская энциклопедия" (1981), Изд-во
- Лобова Т.М., "Феномен детства в художественном сознании М.Ю. Лермонтова, Известия Уральского государственного университета. Сер. 2, Гуманитарные науки. N 59, вып. 16", 219~226 (2008)
- Максимов Д.Е, "Проблематика и символика поэмы Лермонтова«Мцыри», М.Ю.Лермонтов: pro et contra", pp.666~693 (2002), Изд. РусскогоХристианского гуманитарнго института
- Мальцева Т.В, "Образ монастыря в поэме М.Ю.Лермонтова«Мцыри», Пятые Пюхтицкие чтения. Православная культура ипрактика воспитания личности: традиции и современный опыт. Материалы международной научно-практической конференции11-12 декабря 2016 г. Куремяэ, Эстония", 52~57 (2019)
- Марченко А.М, "Михаил Лермонтов. Жизнь и творчество" (1983), Русский язык
- Пейсахович М.А, "Стиховая композиция поэмы Лермонтова≪Мцыри≫", Вопросы русской литературы, 2(5), pp.7~103 (1967)
- Эйхенбаум Б.М, "Лермонтов: Опыт историко-литературной оценкию" (1924), Гос. изд-во
- Максимов Д.Е, "Поэзия Лермонтова. Отв. ред. Фридлендер. Г" (1964), Наука