산간지역과 주거지에 입지하는 르 코르비지에 건축의 의도된 경관특징 연구
A Study on Designed Landscape Characteristics of Le Corbuiser’s Architecture in Mountain and Residential Area
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The purpose of this study is to understand what Le Corbuiser has intended on a panoramic landscape view through his modern architectural design. This paper is willing to improve that he considered both natural and local landscape scenery, when he designed architecture with drawing images. He designed various ways to see outside scenery and community culture through ribbon windows, piloti, architectural promenade, picture frame, and rooftop garden as the angle of view inside the building, ‘designed landscape panorama’ from his architecture. Therefore the contents of the study include the analysis of the local landscapes shown through his architecture by photograph, drawing of a real scenery, and his sketches with biology to find what he has intended. The following conclusions have three points. First, Le Corbuiser has a basic idea to bear a natural and local scenery from his architecture through five points of new architecture. Second, pilotis, ribbon windows, and roof garden with picture frame and architectural promenade are pathways of his architecture to see ‘designed landscape panorama’. Third, it comes from his early architecture like Villa Savoye in 1920s to Couvent de Sainte Marie de la Tourette in 1950s, but Ronchamp church converts his idea on previous thoughts.
Abstract
The purpose of this study is to understand what Le Corbuiser has intended on a panoramic landscape view through his modern architectural design. This paper is willing to improve that he considered both natural and local landscape scenery, when he designed architecture with drawing images. He designed various ways to see outside scenery and community culture through ribbon windows, piloti, architectural promenade, picture frame, and rooftop garden as the angle of view inside the building, ‘designed landscape panorama’ from his architecture. Therefore the contents of the study include the analysis of the local landscapes shown through his architecture by photograph, drawing of a real scenery, and his sketches with biology to find what he has intended. The following conclusions have three points. First, Le Corbuiser has a basic idea to bear a natural and local scenery from his architecture through five points of new architecture. Second, pilotis, ribbon windows, and roof garden with picture frame and architectural promenade are pathways of his architecture to see ‘designed landscape panorama’. Third, it comes from his early architecture like Villa Savoye in 1920s to Couvent de Sainte Marie de la Tourette in 1950s, but Ronchamp church converts his idea on previous thoughts.
참고문헌 (11)
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- 박진아, "르 꼬르뷔지에의 유토피아적 자연관과 건축이데올로기의 관계정립에 관한 연구-빌라 사보아와 빌라 마이어 옥상정원을 중심으로-", 건축역사연구, 13(2), pp.7~20 (2004), 한국건축역사학회
- 정건채, "커뮤니티 디자인" (2012), 남서울대학교 출판국
- 최창길, "르 꼬르뷔제의 生涯_建築과 神話" (1988), 기문당
- Dummett, E., "Green space and comic order: Le Corbuiser’s understanding of nature", Ph.D., pp.2007
- Samuel, F., "Le Corbuiser in Detail" (2007), ELSEVIER
- Le Corbusier, "L'Art décoratif d'aujourdhui", ~ (1925)
- Moffett, M., "Buildings Across Time_An Introduction to World Architecture" (2007), McGraw Hill
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