Another Look at the Portrait of Yi Je-hyeon, a Gift of King Chungseon
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
King Chungseon of Goryeo, the grandson of a Yuan emperor, commissioned from renowned 14th-century Chinese artist Chen Jianru a portrait of Yi Jehyeon, a prominent Goryeo scholar-official. Despite the portrait’s fame as a rare Yuan work and evidence of the Goryeo-Yuan relationship, its purpose remains a mystery. This study aims to explore how the Portrait of Yi Je-hyeon was a personal gift of King Chungseon, but also served the subtler purpose of strengthening the king’s political position by connecting Yi with southern literati through the cultural act of painting appreciation. Firstly, this study demonstrates works of art such as paintings and poems were one way for southern literati to reinforce their sense of solidarity and commonality. Secondly, this study seeks to argue the people involved in the creation and appreciation of the portrait, as well as its compositional elements and motifs, suggest that it was a means to establish Yi Je-hyeon’s legitimacy within orthodox southern literati circles. Ultimately, this study argues King Chungseon, who sought to form a power base in the Yuan court with the support of southern literati, attempted to establish and strengthen connections between these factions and certain members of the Goryeo elite, including Yi Je-hyeon.
Abstract
King Chungseon of Goryeo, the grandson of a Yuan emperor, commissioned from renowned 14th-century Chinese artist Chen Jianru a portrait of Yi Jehyeon, a prominent Goryeo scholar-official. Despite the portrait’s fame as a rare Yuan work and evidence of the Goryeo-Yuan relationship, its purpose remains a mystery. This study aims to explore how the Portrait of Yi Je-hyeon was a personal gift of King Chungseon, but also served the subtler purpose of strengthening the king’s political position by connecting Yi with southern literati through the cultural act of painting appreciation. Firstly, this study demonstrates works of art such as paintings and poems were one way for southern literati to reinforce their sense of solidarity and commonality. Secondly, this study seeks to argue the people involved in the creation and appreciation of the portrait, as well as its compositional elements and motifs, suggest that it was a means to establish Yi Je-hyeon’s legitimacy within orthodox southern literati circles. Ultimately, this study argues King Chungseon, who sought to form a power base in the Yuan court with the support of southern literati, attempted to establish and strengthen connections between these factions and certain members of the Goryeo elite, including Yi Je-hyeon.
참고문헌 (40)
- ), "Onji nonchong (Journal of the Onji Society)", 2013, 333~362
- Brinker, Helmut, "Ch’an Portraits in a Landscape", Archives of Asian Art, 27, pp.8~29 (1974)
- Bush, Susan, "The Chinese Literati on Painting: Su Shih (1037–1101) to Tung Ch’i-ch’ang (1555–1636)" (1971), Harvard University Press
- Cahill, James, "Hills beyond a River: Chinese Painting of the Yuan Dynasty, 1279–1368" (1976), Weatherhill
- Chang, Junegu, "Wondae-ui wangyeok yechan hapjak ‘Yang Jukseo sosang’yeongu (A Study of ‘Portrait of Yang Zhuxi’ Housed in the Palace Museum in Beijing)", Munhwajae (Korean Journal of Cultural Heritage Studies), 47(2), pp.114~131 (2014)
- Choi, Yoon-jung, "14-segi cho (1307–1323) won jeongguk-gwa goryeo: 1320-nyeon chungseon wang tobeon yubae wonin jaeron (Goryeo and the Politics of the Yuan in the Early 14th Century: Review of the Reasons for King Chung s eon’s Exile to Turfan)", Yeoksa hakbo (Korean Historical Review), 226, pp.287~320 (2015)
- Fong, Wen, "Beyond Representation: Chinese Painting and Calligraphy 8th–14th Century" (1992), The Metropolitan Museum of Art
- Gao, Nianhua, "Zhongguo gudai zi huaxiang tushi chongxin de qianyi yu renwenhua yanjin, yi Zhao Mengfu ‘Zixiexiaoxiang’ wei zhongxin (Transition and Cultural Evolution of the Pictorial Center in Ancient Chinese Self-Portraits: Centered around Zhao Mengfu’s ‘Self-Portrait’)", Xinmeishu (Journal of the China Academy of Art), 43(2), pp.158~167 (2022)
- Gell, Alfred, "Art and Agency : An Anthropological Theory" (1998), Oxford University Press
- Hong, Sunpyo, "Goryeo chogi chosanghwa jedo-ui surip (Establishment of Portraiture in the Early Goryeo Dynasty)", Misulsa nondan (Art History Forum), (45), pp.7~27 (2017)
- Jang, Dong Ik, "Sin jaryo-reul tonghae bon chungseon wang-ui jaewon hwaldong (Activities of King Chungseon in the Yuan Seen through the New Data)", Yeoksa gyoyuk nonjip (History Education Review), 24, pp.703~735 (1999)
- : A New Understanding of the Figures in the Period Accepting Neo-Confucianism in the Late Goryeo Dynasty), "Toegyehak-gwa yugyo munhwa (Toegye Studies and Confucian Culture)", 2011, 1~44
- Ji, Minkyung, "‘Yi Je-hyeon chosang’ jejak-e gwanhan saeroun ihae (A New Understanding on the Creation of the Portrait of Yi Je-hyeon)", Misulsa yeongu (Journal of Art History), 42, pp.177~200 (2022)
- Ju, Seo-pyeong, "Ikjae Yi Je-hyeon-ui jungguk-eseo-ui haejeok-gwa wondae insadeulgwa-ui gyoyu-e daehan yeongu (A Study on Ikjae Yi Je-hyeon’s Activities in China and Relationship with Yuan Figures)", Nammyeonghak yeongu (Journal of Nammyeong Studies), 6, pp.143~156 (1996)
- Kim, Bo-kyeong, "Goryeo hugi juyeok insik-ui teukseong-gwa geu uimi: Baek Mun-bo-reul jungsim-euro (Characteristics and Implications of Baek Mun bo’s Perception of Juyeok)", Hanguk hanmunhak yeongu (Journal of Korean Literature in Classical Chinese), 32, pp.207~239 (2003)
- Kim, Chang-hyun, "Chungseon wang-ui tansaeng-gwa gyeolhon, geurigo jeongchi (Birth and Marriage of King Chungseon and His Politics)", Hanguk inmulsa yeongu (Research on Korean Historical Figures), (14), pp.101~151 (2010)
- ), "Misul munhwa yeongu (Journal of Art and Culture Studies)", 2013, 21~49
- Kim, Do-young, "Mangwondang-gwa jemigideokdang-e daehan jaegeomto (Review on Mangwondang and Jemigideokdang)", Yeoksa hakbo (Korean Historical Review), 210, pp.59~95 (2011)
- Kim, In-ho, "Goryeo hugi Yi Je-hyeon-ui jungguk muningwa-ui gyoryu-wa mangwondang (A Study for Mangwondang and Yi Je-hyeon)", Yeoksa-wa silhak (History and Silhak), 61, pp.215~242 (2016)
- Kim, Sang Gi, "Yi Ikjae-ui jaewon saengae-e daehayeo: Chungseon wang-ui sijong-ui sin-euroseo (Yi Je-hyon’s Life in Yuan China as Consort to the Former King Chungseon)", Daedong munhwa yeongu(Daedong Journal of Korean Studies), 1, pp.219~248 (1964)
- Koh, Hye Ryung, "Won gungjeong-e pyeolchyeojin goryeoin sahoe (Goryeo Society in the Yuan Court)", Hanguksa simin gangjwa (Civic Lectures on Korean History), 28, pp.21~42 (2001)
- Koh, Myung-soo, "Mongol-Goryeo gwangye yeongu (Research on Mongol Goryeo Relationship)" (2019), Hyean
- Koh, Youen Hee, "Jo Maengbu-ui mukjuk: Won nara gwallyo sahoe-eseo-ui uimi (Zhao Meng-fu’s Bamboo Painting in the Bureaucracy of the Yuan Dynasty)", Onji nonchong (Journal of the Onji Society), 33, pp.185~214 (2012)
- Lee, Myungmi, "13-14-segi Goryeo-Mongol gwangye yeongu (Research on the Relationship between Goryeo and Mogol in the 13th–14th Centuries)" (2016), Hyean
- Lee, Myungmi, "Goryeo-Mongol gwangye gipi bogi: Georisaek mokpyo-wa cheongdongsaekmokpyo (A Deep Look at the Goryeo-Mongol Relationship:Georisaek mokpyo and Cheongdongsaek mokpyo)", Yeoksa gyoyuk yeongu (Studies on History Education), (37), pp.51~99 (2020)
- Lee, Seog-Ju, "Yi Je-hyeon-ui yu-bul sasang-gwa ‘Hyohaengnok’ (Yi Je hyeon’s Confucian-Buddhist Thought and ‘Hyohaengnok’)", Hanguk sasang gwa munhwa (Korean Thought and Culture), 64, pp.317~349 (2012)
- Lu, Xuanfei, "Meng Yuan jiangnan huajia de gaoli wenchen xiaoxiang:Chen jian ru ‘Yi Je-hyeon sang’ (1319) yanjiu 蒙元江南畫家的高麗文臣肖像: 陳鑑如 “李齊賢像” (1319) 研究 (Portrait of a Goryeo Official by a Jiangnan Painter in the Mongol Yuan Dynasty: A Study of Chen Jianru’s ‘Portrait of Yi Je-hyeon’ of 1319)", Gugong xueshu jikan (National Palace Museum Research Quarterly), 35(1), pp.181~236 (2017)
- McCausland, Shane, "Discourses of Visual Learning in Yuan Painting: The case of Luo Zhichuan’s ‘Snowy River.’", Journal of Song-Yuan Studies, 42, pp.375~405 (2012)
- McCausland, Shane, "The Mongol Century: Visual Cultures of Yuan China, 1271–1368" (2015), University of Hawai‘i Press
- National Museum of Korea, "Chosanghwa-ui bimil (The Secret of Joseon Portraits)" (2011), National Museum of Korea
- Park, Hyun Kyu, "Yi Je-hyeon-gwa won munsa-deul-gwaui gyoryugo (A Study on the Exchanges between Yi Je-hyeon and the Yuan Literati)", Daedong hanmunhak (Greater East Asian Classical Chinese Studies), 3, pp.129~158 (1990)
- Park, Hyun Kyu, "Yi Je-hyeon-eul dulleossan bulgyo hwangyeong-e daehan yeongu (A Study on the Buddhist Environment around Yi Je-hyeon)", Suncheonhyang eomun nonjip (Suncheonhyang Journal of Language and Literature), 2, pp.93~110 (1993)
- Sensabaugh, David Ake, "Fashioning Identities in Yuan-Dynasty Painting:Images of the Men of Culture", Ars Orientalis, 37, pp.118~139 (2009)
- Shea, Eiren L, "Mongol Court Dress, Identity Formation, and Global Exchange" (2020), Routledge
- Silbergeld, Jerome, "In Praise of Government: Chao Yung’s Painting, ‘Noble Steeds’ and Late Yüan Politics", Artibus Asiae, 46(3), pp.159~202 (1985)
- Tōkyō Kokuritsu Hakubutsukan, "Kyōto Gozan Zen no bunkaten 京都五山禅の文化展 (Zen Treasures from the Kyoto Gozan Temples Exhibition)" (2007), Nihon keizai shinbunsha
- Watt, James C. Y., "The World of Khubilai Khan: Chinese Art in the Yuan Dynasty" (2010), Metropolitan Museum of Art
- Weitz, Ankeney, "The Family Model in Chinese Art and Culture", pp.423~458 (2013), Princeton University Press
- Yang, Yu, "vol. 6 of Song-Yuan biji xiaoshuo daguan 宋元筆記小說大觀 (A Collection of Documentary Essays of the Song and Yuan Dynasties)" (2001), Shanghai guji chubanshe
- "Ikjae nango 益齋亂藁 (Random Jottings of Ikjae Yi Je-Hyeon)"[URL]