이상의 시 「가외가전」의 글쓰기 기법과 전문 해석

Abstract

In the 2019(Yi Sang Review No. 15), as my previous research on the title 'poetry and form' lectured in the ‘Guinhoe(The Circle of Nine, 九人會)’ by the poet Yi Sang, I studied the fractal phenomenon of mathematics, and the Mobius strip hidden in his whole poetry. and I also searched for an arrangement structure to write poetry in the same 'form'. However, another ‘form’ type writing techniques are observed in the poem “Gawoigajeon(街外街傳)”. The last letter of the poem is marked with a long hyphen ('-') 17 times as a rhythmic effect, a ‘form’ joining the “flowing” with its dialect speaking. In particular, there is a morphological writing that indicates indicative or vertical symmetry. In order to easily capture the overall image of this poem, I also attempted a comparative analysis with the image of the novel "Wings(날개)" and the image of the poem "紙碑―어디갓는지모르는안해―", which is presumed to have been written before this poem. Above all, while attempting a professional interpretation of this poem, the poet Yi Sang, as the narrator behind this poem, stands on the overpass and spies on the alleys of “Yugwak(遊廓)”, that is, the scenery image of 'Gawoiga(街外街)', and suddenly his heart enters a certain "room". Although he was obsessed with the urge to burn the “Yugwak(遊廓)” with the cigarette he was smoking, he finally burned the Yugwak(遊廓), but still baby angels representing the “bird of decoration(勳章用鳥類)” in the seventh line of the sixth paragraph have grown up and passed down through generations as “false angels” like their mothers. It reminds us of the repetitive cycle of karma.