왕희지 서체 변법에 대한 고찰

Abstract

The period of Wei Dinasty and Jin Dinasty was an important transformation period not only in economics and politics, but also in seoye(書藝, calligraphy), and calligraphers personally blossomed their artistic styles by using various character such as the previous calligraphic style, yeseo(隸書), haeseo(楷書), jangcho(章草), haengseo(行書), and choseo(草書). Seoye during the Jin Dynasty was recognized by later generations, dangshi(唐詩, poetry of Dang Dynasty), songsa(宋詞, poetry of Song Dynasty), and wongok(元曲, songs or drama in Won Dynasty) made their names in the literary circles side by side. In particular, Wang Hee-ji’s seoye, represented by the seoye of sangun(尙韻, refined, tasteful) was elegant and full of marked energy. Wang Hee-ji also succeeded in transforming himself into a new typeface that enriched his self by converging and unifying his new art creation by collecting and refining useful nutrients from many calligraphy works in the past and present. Instead of a simple style a gentle style to serve as an example for later calligraphers as well as Korean calligraphers of the Korean Peninsula. This paper examines Wang Hee-ji’s life, thoughts, and studies. In addition, it focuses on the success of seoye modification along with the remarkable achievement of calligraphy, and the impact of calligraphy on the future calligraphy world. Consider the transformation from a high-quality west wind to a gentle west wind. I would like to examine that the modification of the typeface had a great influence not only on China but also on Korea. Therefore, I would like to establish the status of seoye and study the future direction along with sublimation of literary person’s seoye using of the variant he created.