果齋 張錫藎의 「海東樂府詞」 연구

Abstract

The Purpose of this treatise is to research the meaning of durability and variability of Korean Yue fu(樂府) after the 19th century, through analysis 「Haedongakbusa(海東樂府詞)」 of Jang Seok Sin(張錫藎, 1841~1923). In 2nd chapter, I summarized Jang Seok Sin’s whole life and estimated creation_timing of main writings. I could find the writer_consciousness of Jang Seok Sin who emphasized the importance of record and conservation of history in times of crisis losing the sovereignty of nation. In 3rd chapter, through preface analysis, I could confirm that Jang Seok Sin emphasized musicality, and had creation_consciousness that Yue fu should be created after considering melody. From contents and charateristic of 「Haedongakbusa」, compare to Lee Kwang Sa(李匡師)’s Yue fu, Jang Seok Sin’s Yue fu emphasized neither historiette nor narrativity. He embodied theme of the poem through sensationally describing poetic situation or emphasizing lyricism of poetic narrator. As a work after the 19th century, Jang Seok Sin’s 「Haedongakbusa」 shows that Yue fu were created for meaningful genre since the 19th century, and also Korean Yue fu seeked to create new type of works with the times.