‘모션 캡쳐’ 과정에서 나타난 ‘디지털 액팅’의 연기미학과 연기 훈련 방법론에 대한 고찰
An Investigation into the art of 'Digital Acting' within the Motion Capture Process
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참고문헌
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This thesis aims to examine the major characteristics of so called 'Motion Capture Acting', which also can be regarded as 'Digital Acting' or 'Cyber Acting'. As Stanislavksy claimed, the solid realistic acting should be justified by the actor's own reality. Accordingly, the principles of acting can not be changed in any circumstance since the core rules of good acting has been always same. As an acting teaching professor, I have always had a profound curiosity about the possibility of digital acting, or Cyber Acting. We first look at the brief history of Motion Capture Acting, which can be translated as a true first cyber acting. In Addition. Above all I propose that Stanislasky's 'System' or 'Method Acting System as the standard analysis tool of digital acting in this thesis because Method Acting System might be the only and true analysis tool for any kind of acting system. According to the results of Motion Capture, digital actors or actresses ought to follow the basic principles about realistic acting. Following these rules, actor could achieve highest reality because, as Method Acting System have taught, the true principles of good acting has never been changed. Accordingly, Digital acting can be expanded as the true tool for creating realistic and profound film or television dramas since digital character also have many common traits which normal characters possessed in our traditional films. Finally, this research will reveal the true principles of 'Digital Acting' and also the future prospect of 'Digital Cyber Acting'.
Abstract
This thesis aims to examine the major characteristics of so called 'Motion Capture Acting', which also can be regarded as 'Digital Acting' or 'Cyber Acting'. As Stanislavksy claimed, the solid realistic acting should be justified by the actor's own reality. Accordingly, the principles of acting can not be changed in any circumstance since the core rules of good acting has been always same. As an acting teaching professor, I have always had a profound curiosity about the possibility of digital acting, or Cyber Acting. We first look at the brief history of Motion Capture Acting, which can be translated as a true first cyber acting. In Addition. Above all I propose that Stanislasky's 'System' or 'Method Acting System as the standard analysis tool of digital acting in this thesis because Method Acting System might be the only and true analysis tool for any kind of acting system. According to the results of Motion Capture, digital actors or actresses ought to follow the basic principles about realistic acting. Following these rules, actor could achieve highest reality because, as Method Acting System have taught, the true principles of good acting has never been changed. Accordingly, Digital acting can be expanded as the true tool for creating realistic and profound film or television dramas since digital character also have many common traits which normal characters possessed in our traditional films. Finally, this research will reveal the true principles of 'Digital Acting' and also the future prospect of 'Digital Cyber Acting'.
참고문헌 (12)
- 로버트 코헨, "액팅 원" (2006), 도서출판 경당
- 이남국, "애니메이션 연기론" (2009), 태학원
- 에드 훅스, "애니메이터를 위한 연기 연습" (2003), 신지서원
- 콘스탄틴 스타니스랍스키, "스타니스랍스키 전집 4 ‘역할 창조’" (2001), 예니
- 콘스탄틴 스타니스랍스키, "스타니스랍스키 전집 5 ’액터스 북‘" (2001), 예니
- Alberto Menache, "Understanding Motion Capture (The Morgan Kaufmann Series in Computer Graphics)" (2000), Academic Press
- Andy Serkis, "Gollum : A Behind the Scene Guide of the Making of Gollum (The Lord of the Rings)" (2003), Harper Collins Publishers
- Jeremiah Comey, "The Art of Film Acting: A Guide For Actors and Directors" (2002), Elsevier Science
- John Kundert-Gibbs, "Action!: Acting Lessons for CG Animators" (2009), Wiley Publishing
- Midori Kitagawa, "MoCap for Artists: Workflow and Techniques for Motion Capture" (2008), Elsevier
- Sonia Moore, "The Stanislavski System: The Professional Training of an Actor; Second Revised Edition" (1984), Penguin Handbooks
- Stella Adler, "The Art of Acting" (2000), Applause Books
