실경산수도시와 화면상의 이미지의 재산출 방향 -이용구의 <금시당십이경> 시를 중심으로-

Abstract

This paper is intended to look at why the poetic image is reproduced from the pictorial image in what directions, by the poet who has seen the object of the actual landscape painting. For this purpose, in this paper, "Kum Si Dang Pavilion twelve poems(今是堂十二景詩)", which Lee, Yong-gu appreciated "Kum Si Dang Pavilion twelve pictures(今是堂十二景圖)" and wrote, are studied. First, the aspects of relation between pictorial and poetic sceneries are extracted through comparing their elements with each other, and the meaning of the aspects of relation is grasped through analyzing the compared. Among "Kum Si Dang Pavilion twelve poems", there is one poem of which the pictorial scenery is reproduced in the direction of emphasizing the pictorial image. There are eight poems of which the pictorial sceneries are reproduced in the direction of complementing the pictorial image, and three poems of which the pictorial sceneries are reproduced in the direction of replacing the pictorial image. In conclusion, the poet valued and emphasized his own experience of the actual landscape, as the object of painting, more than the painting, as the poetic object.