한국 고건축 양식을 응용한 반(盤) 디자인

Abstract

Furniture can be a product of design and is considered a form of a decorative art. Architectural works are often perceived as cultural symbols and as works of art. Korean traditionalarchitectural form and wooden furniture were improved by adding up an organic coordinationin the interior space. Furniture adds beauty of life by being coordinated with the interiorspace with its particular characteristic in the form of architectural structure. Architecture andfurniture are also being improved in a more natural and diverse way. Therefore, in this research,from the choice of the location, Korean traditional architecture is considered to be coordinatedwith the nature, and the technical skill is lessened to express its beauty. There is a presenceof elegance yet robust combination of simplicity and beauty. In addition, the traditional architectureand wooden furniture are completely expressed structurally with coordination of theoutstanding design and solid structure according to the thrifty living in the Confucian ideaswhich influenced the Korean traditional society. The representative of Korean traditional architecture,Baeheulrim pillar, has worked as motive because of its visual comfort caused by opticalillusion and formative elements. The small portable dining table (Soban) which reflects the characteristicof Korean unique tradition and the sensitivity of Koreans has been reinterpretedthrough the motive in this research. As a result, it has shown the possibility as the design elementto change the aesthetic structure. In the modern society, cultural identity plays a vitalrole. Therefore, this research can be used as reference for the new concept of furniture -making. It could be a combination of modern people, lifestyle and living space by creating theKorean image suitable for the modern society.