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론 아라드의 가구를 중심으로 한 예술과 디자인의 표현

Art and Design Expression with a Focus on Ron Arad's Furniture

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Modern furniture culture has a dual structure: furniture that is given the value of its work based on individual creativity and originality, and products that are commonly used by more people. The role of furniture as a device for aesthetic sensibility and communication that goes beyond the traditional functions and concepts given to furniture is expanding its realm. Ron Arad is one of the most highly regarded of his time as a furniture designer and artist for his creative abilities. He presents various creative works based on daring challenges and experimental spirit, which is the product of interest and effort throughout the production process based on understanding and exploration of materials. His works, which break the existing order and create new values, have been commercialized through collaboration with various furniture manufacturing companies, and are meeting the needs and demands of more people. By comparing and analyzing the characteristics of Ron Arad's works and mass-produced products, we try to understand the flow of modern furniture culture and predict the future

Abstract

Modern furniture culture has a dual structure: furniture that is given the value of its work based on individual creativity and originality, and products that are commonly used by more people. The role of furniture as a device for aesthetic sensibility and communication that goes beyond the traditional functions and concepts given to furniture is expanding its realm. Ron Arad is one of the most highly regarded of his time as a furniture designer and artist for his creative abilities. He presents various creative works based on daring challenges and experimental spirit, which is the product of interest and effort throughout the production process based on understanding and exploration of materials. His works, which break the existing order and create new values, have been commercialized through collaboration with various furniture manufacturing companies, and are meeting the needs and demands of more people. By comparing and analyzing the characteristics of Ron Arad's works and mass-produced products, we try to understand the flow of modern furniture culture and predict the future

참고문헌 (16)

  1. 김진우, "<표현의 매개체>로서의 가구디자인의 사례와 특성 -론 아라드와 자하 하디드의 가구디자인 사례를 중심으로-", 한국디자인포럼, (35), pp.353~362 (2012), 한국디자인트렌드학회[DOI]
  2. 서병기, "Ron Arad의 다자인에 관한 연구", 디자인학연구, 16(1), pp.199~208 (2003)
  3. 최병훈, "가구의 예술성에 관한 연구 -현대 아트 퍼니처 작품분석을 중심으로-", 한국가구학회지, 22(1), pp.42~53 (2011), 한국가구학회
  4. 디자인하우스, "디자인을 소재로 하는 아티스트 론 아라드" (2016)
  5. Ben Brown, "Ron Arad Summer Exhibition catalogue" (2016)
  6. Deyan Sudjic, "Ron Arad", pp.54~57 (1999), Laurence King Publishers
  7. Mateo Kries., "Atlas of Furniture Design" (2019), Vitra Design Museum
  8. "Mel Buchanan"[URL]

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