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중국 현대 가구디자인에 나타난 중국 전통 린문, 회문, 운문의 특징 연구

A Study on Research on the Characteristics of Traditional Chinese Patterns Reflected in Chinese Contemporary Furniture Design

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초록

Lin patterns, fret patterns and cloud patterns present common characteristics in mod- ern furniture design. First of all, they cleverly apply universal principles, flexibly adapt to differ- ent scenarios, and embody universal design concepts. Secondly, the three perform profoundly in the integration of aesthetics and function, and their unique design language achieves the harmo- nious unity of aesthetics and function. Third, the focus on sustainability in the design reflects environmental responsibility, using environmentally friendly materials and processes, and focus- ing on sustainable development. Fourth, traditional culture is cleverly integrated into the design, making furniture works a concrete expression of traditional culture. Fifth, innovative design practice is a common feature of these three patterns. Through abstract deduction and sim- plification, core elements are retained, which is more in line with modern aesthetics. Overall, these furniture designs demonstrate a level of excellence, inject new vitality into contemporary furniture, are an organic combination of culture, art and design, and bring new possibilities to the field of furniture design. This research inspires future design practice and theoretical re- search, and triggers multi-dimensional thinking on furniture design.

Abstract

Lin patterns, fret patterns and cloud patterns present common characteristics in mod- ern furniture design. First of all, they cleverly apply universal principles, flexibly adapt to differ- ent scenarios, and embody universal design concepts. Secondly, the three perform profoundly in the integration of aesthetics and function, and their unique design language achieves the harmo- nious unity of aesthetics and function. Third, the focus on sustainability in the design reflects environmental responsibility, using environmentally friendly materials and processes, and focus- ing on sustainable development. Fourth, traditional culture is cleverly integrated into the design, making furniture works a concrete expression of traditional culture. Fifth, innovative design practice is a common feature of these three patterns. Through abstract deduction and sim- plification, core elements are retained, which is more in line with modern aesthetics. Overall, these furniture designs demonstrate a level of excellence, inject new vitality into contemporary furniture, are an organic combination of culture, art and design, and bring new possibilities to the field of furniture design. This research inspires future design practice and theoretical re- search, and triggers multi-dimensional thinking on furniture design.

참고문헌 (12)

  1. 량메이, "민족문화의 흐름에 따른 가구디자인 방식", 가구, (05), pp.8~ (2022)
  2. 왕쿤산, "중국 전통 고전 문양 분석", pp.99~102 (2022), 중국 방직 출판사
  3. 이용원, "국내 가구산업의 이해와 발전관계", 서울경제, 110, pp.23~ (2014)
  4. 카이브 리, "중국 가구산업의 제조 및 디자인 경쟁력", pp.23~28 (2019), 화중과학기술대학교 출판부
  5. 팡하이, "현대가구디자인방법15기", pp.8~12 (2023), 광시사범대학교출판부
  6. 팡하이, "현대 가구 디자인의 “중국주의”", 중국 건설산업 보도자료, pp.30~60 (2007)
  7. 후신루이, "중국 전통 문양", pp.5~6 (2021), 화중과학기술대학교 출판부
  8. (사)숲과문화연구회, "생활가구와 산림문화", pp.244~
  9. Sendpoints, "중국전통패턴 및 디자인 응용", pp.3~4 (2023), 인민자유출판사

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