중국 宋代梅花詩에 나타난 시어 ‘鐵腸石心’연구
A study on the poetic diction ‘Tie Chang Shi Xin’ in the plum blossom poems of the Song Dynasty of China
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study focuses on the usage of poetic diction ‘Tie Chang Shi Xin’ in the plum blossom poems of the Song Dynasty of China. To this, the transform usage phenomenon of the related poetic diction ‘Tie Chang Shi Xin’ in the Song Dynasty of China’s plum blossom poems is investigated according to the ≪Quan Song Poems≫. With the rise of plum blossom’s aesthetic activities and the demand of artistic expression, the allusions on plum blossom become the material of the plum blossom poetry, and these allusions go towards deeper meaning and bigger impacts. The ‘Plum Blossom Fu’ was written by Song Jing who was a famous prime-minister in Tang Dynasty, which becomes a hot topic from ancient times to the present. Especially, when Pi Rixiu mentioned that the Song Jing with ‘Tie Chang Shi Xin’ was not suitable for reciting the morbidezza ‘Plum Blossom Fu’, which received more attention. The poetic diction ‘Tie Chang Shi Xin’ mentioned here does not refer to the body parts of Song Jing, but artistically refer to the character of Song Jing. Based on the statistics of the table that I counted, the usage of the ‘Tie Chang Shi Xin’ has three characteristics. Firstly, the poetic diction is used in various ways, such as ‘Tie Shi Xin Chang’, ‘Tie Xin Ren’, ‘Xin Ru Tie’, ‘Shi Xin Ren’, ‘Tie Shi Guang Pin Xin’, and so on. Secondly, the classical poems and seven-syllable poems have the most forms. Thirdly, the reply poems are the most amounts. Finally, most of these poems related to plum blossom poems appeared in the Southern Song Dynasty. Because the late Northern Song Dynasty was chaotic and the Southern Song Dynasty was a time of turbulence, many poets had the numb attitude to the countries. Therefore, the intellectuals separated from the chaotic social, taking the nature as friend, expressing the solitary personality and moral integrity and patriotism through the natural plum blossom. Then, the transform usage phenomenon of the ‘Tie Chang Shi Xin’ related poetic diction is investigated according to the ≪Quan Song Poems≫. Three categories are studied, which includes self-respect and praising other’s personality and revealing political ambition. Because of the chaotic politics and separating from the social, the image of the poets who reacquainted with the society and had the self-visualization through the plum blossom has become apparent. Also, we can understand another kind of a state of mind from these poets. In the ‘Plum Blossom Fu’ of Song Jing, the plum is connected with Song Jing’s character, indicating his character like iron-stone. In addition, we are able to see the poem’s political stand in the chaotic politics. Since ancient times, the intellectuals have liked to write poems using plum blossom, and quite a number of poems have been passed down. The related academic research is also very active. Most studies are just investigating the whole content of plum blossom poems, however, the studies on words of plum poems are very little. The plum blossom poems with a long history have many allusions. Therefore, it is necessary to analyze the plum blossom poems based on the special poetic diction. The author hopes that it can make a little contribution to studies on plum blossom poetry in the future work.
Abstract
This study focuses on the usage of poetic diction ‘Tie Chang Shi Xin’ in the plum blossom poems of the Song Dynasty of China. To this, the transform usage phenomenon of the related poetic diction ‘Tie Chang Shi Xin’ in the Song Dynasty of China’s plum blossom poems is investigated according to the ≪Quan Song Poems≫. With the rise of plum blossom’s aesthetic activities and the demand of artistic expression, the allusions on plum blossom become the material of the plum blossom poetry, and these allusions go towards deeper meaning and bigger impacts. The ‘Plum Blossom Fu’ was written by Song Jing who was a famous prime-minister in Tang Dynasty, which becomes a hot topic from ancient times to the present. Especially, when Pi Rixiu mentioned that the Song Jing with ‘Tie Chang Shi Xin’ was not suitable for reciting the morbidezza ‘Plum Blossom Fu’, which received more attention. The poetic diction ‘Tie Chang Shi Xin’ mentioned here does not refer to the body parts of Song Jing, but artistically refer to the character of Song Jing. Based on the statistics of the table that I counted, the usage of the ‘Tie Chang Shi Xin’ has three characteristics. Firstly, the poetic diction is used in various ways, such as ‘Tie Shi Xin Chang’, ‘Tie Xin Ren’, ‘Xin Ru Tie’, ‘Shi Xin Ren’, ‘Tie Shi Guang Pin Xin’, and so on. Secondly, the classical poems and seven-syllable poems have the most forms. Thirdly, the reply poems are the most amounts. Finally, most of these poems related to plum blossom poems appeared in the Southern Song Dynasty. Because the late Northern Song Dynasty was chaotic and the Southern Song Dynasty was a time of turbulence, many poets had the numb attitude to the countries. Therefore, the intellectuals separated from the chaotic social, taking the nature as friend, expressing the solitary personality and moral integrity and patriotism through the natural plum blossom. Then, the transform usage phenomenon of the ‘Tie Chang Shi Xin’ related poetic diction is investigated according to the ≪Quan Song Poems≫. Three categories are studied, which includes self-respect and praising other’s personality and revealing political ambition. Because of the chaotic politics and separating from the social, the image of the poets who reacquainted with the society and had the self-visualization through the plum blossom has become apparent. Also, we can understand another kind of a state of mind from these poets. In the ‘Plum Blossom Fu’ of Song Jing, the plum is connected with Song Jing’s character, indicating his character like iron-stone. In addition, we are able to see the poem’s political stand in the chaotic politics. Since ancient times, the intellectuals have liked to write poems using plum blossom, and quite a number of poems have been passed down. The related academic research is also very active. Most studies are just investigating the whole content of plum blossom poems, however, the studies on words of plum poems are very little. The plum blossom poems with a long history have many allusions. Therefore, it is necessary to analyze the plum blossom poems based on the special poetic diction. The author hopes that it can make a little contribution to studies on plum blossom poetry in the future work.
참고문헌 (18)
- 北京大學古文獻研究所, "全宋詩" (1999), 北京大學出版社
- 程杰, "宋代詠梅文學硏究" (2002), 安徽文藝出版社
- 董誥, "全唐文" (1983), 中華書局
- 劉勰, "文心雕龍" (1998), 上海古籍出版社
- 秦觀, "淮海集" (1984), 台湾商务印书馆
- 唐圭璋, "詞話叢編" (1986), 中華書局出版社
- 許伯卿, "宋詞題材硏究" (2008), 中華書局出版社
- 김재룡, "韓國 梅花詩의 傳統과 宋璟", 우리문학연구, (22), pp.31~60 (2007), 우리문학회
- 노은정, "南宋 四大家 詠梅詩 硏究", 중국어문학논집, (39), pp.215~242 (2006), 중국어문학연구회
- 신익철, "조선시대 梅花詩의 전개와 특징", 동방한문학, (56), pp.165~216 (2013), 동방한문학회
- 이지운, "沈宜修 梅花詩 硏究", 중국어문학지, (39), pp.93~121 (2012), 중국어문학회
- 이종묵, "고전시가에서 用事와 點化의 미적 특질", 韓國詩歌硏究, 3 (1998)
- 陳俊愉, "我國國花應是梅花", 植物杂志, (1) (1982)
- 陳俊愉, "103位院士簽名贊同‘雙國花’(梅花、牡丹)——這一創舉對我國評選國花現狀說明了什麼?", 中国园林, (8) (2011)
- 施常州, "南宋诗人赵蕃生平与创作考论", 南京师范大学文学院学报, (2) (2015)
- 孫培, "论刘克庄『梅花百咏』唱和活动的多重意义", 福建师范大学学报, (2) (2014)
- 王志瑾, "葛立方生平新考", 文學遺産, (3) (2009)
