The Role of Cross-Cultural Intersection in Shaping Islamic Architecture (Study of Dome of the Rock and Umayyad Mosque of Damascus)
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이슬람은 비잔틴 및 사산 제국의 쇠퇴와 함께 나타나 기존의 로마, 비잔틴 및 페르시아 건축 요소의 미학적인 유산을 흡수하고 때로는 그들에게 맞게 변형하기도 하였다. 이 논문은 이러한 문화 교류가 이슬람 건축 및 미적 측면에 어떻게 영향을 미쳤는지 바위 돔과 다마스쿠스의 우마이야드 모스크 사례를 중심으로 조사하였다. 또한, 비(非) 아랍 장인들의 기여와 건축 스타일을 비롯한 미학적 요소의 채택이 어떻게 이슬람 건축을 발전시켰고 이슬람 건축의 정체성 형성에 어떤 영향을 미쳤는지 논의하고자 한다. 이러한 변화는 사회적, 정치적 요인인 혁명, 반란, 정복을 통한 상호 작용의 결과이며 단순한 모방이 아닌 이슬람이라는 맥락에 맞게 변화해온 융합의 결과물이라고 볼 수 있다.
Abstract
The emergence of Islam coincided with the decline of the Byzantine and Sassanid empires, allowing the new Muslim emperor to absorb and transform a rich heritage of Roman, Byzantine, and Persian architectural elements. This paper investigates how these cultural exchanges influenced the architectural and aesthetic aspects of Islamic monuments, with a focus on notable examples such as the Dome of the Rock and the Umayyad Mosque of Damascus. The research outlines how Islamic architecture evolved significantly through the contributions of various non-Arab craftsmen and the adoption of various architectural styles and their aesthetic components over time, being the result of intercultural interactions and blending, which have been realized through social and political factors like revolutions, uprisings, and conquests. This evolution was not merely imitative but involved a creative synthesis of pre-existing styles adapted to Islamic religious and cultural contexts. The study further discusses the role of these interactions in forming a distinctive Islamic architectural identity that was both a continuation and a transformation of earlier traditions.
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