문화콘텐츠로서의 브레히트 － 뮤지컬 <That Bastard Brecht 잡(雜)놈 브레히트>를 중심으로
Brecht as Cultural Content － Focused on the Musical <That Bastard Brecht>
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The musical <That Bastard Brecht> recreates Brecht as cultural content. This work, which examines the defects of Brecht, censures Brecht’s problems from various perspectives. Can the relationship with the women who collaborated with him be acceptable? At what level can he understand the abuse of their talents and labor force? Obviously, Brecht used his fame and authority to impair thair human dignity. It is also true that their talents have been used without reasonable compensation. This musical produces critical new content based on historical facts relating to Brecht’s outstanding theatrical work. There is a clear distinction between historical facts and fictional truths. Brecht is a pure function of ‘Brecht as a cultural content’ in this musical to raise an opportunity to reflect on the true meaning of historical fact through this gap. In this sense, the musical <That Bastard Brecht> can be regarded as a work of enhancing the critical transformation of prototypical content in the overcrowding of cultural contents.
Abstract
The musical <That Bastard Brecht> recreates Brecht as cultural content. This work, which examines the defects of Brecht, censures Brecht’s problems from various perspectives. Can the relationship with the women who collaborated with him be acceptable? At what level can he understand the abuse of their talents and labor force? Obviously, Brecht used his fame and authority to impair thair human dignity. It is also true that their talents have been used without reasonable compensation. This musical produces critical new content based on historical facts relating to Brecht’s outstanding theatrical work. There is a clear distinction between historical facts and fictional truths. Brecht is a pure function of ‘Brecht as a cultural content’ in this musical to raise an opportunity to reflect on the true meaning of historical fact through this gap. In this sense, the musical <That Bastard Brecht> can be regarded as a work of enhancing the critical transformation of prototypical content in the overcrowding of cultural contents.
참고문헌 (15)
- Brecht, Bertolt(GBA), "Gedichte I. Große kommentierte Berliner und Frankfurter Ausgabe. 30 Bde. und ein Registerbd. Bd. 11" (1988), Suhrkamp
- Dunn, David, "That Bastard Brecht" (2018), Script
- Dunn, David, "That Bastard Brecht in America" (2018), Script
- 김기선, "브레히트와 공동작가들 – Elisabeth Hauptmann 엘리자베트 하우프트만", 브레히트와 현대연극, 6, pp.5~41 (1998)
- 송동준, "브레히트의 여인들", 브레히트와 현대연극, (11), pp.23~37 (2003), 한국브레히트학회
- 이상복, "신화⋅문화 속 여성의 다매체적 변용" (2018), 청룡출판사
- 이승진, "탈이데올로기 시대의 브레히트 연구", 브레히트와 현대연극, 8, pp.58~96 (2000)
- Bentley, Eric, "The Brecht Memoir" (1985)
- Bunge, Hans, "Brechts Lai-tu, Erinnerungen von R. Berlau" (1989)
- Fuegi, John, "The Life and Lies of Bertolt Brecht" (1994)
- Kebir, Sabine, "Ein akzeptabler Mann? Brecht und die Frauen" (1998)
- Mittenzwei, Werner, "Das Leben des Bertlot Brecht oder Der Umngang mit den Welträtseln, Bd. 1" (1989)
- Völker, Klaus, "Nach Brecht. Ein Almanach 1992" (1992)
- 네이버 지식백과, "콘텐츠 (공간형콘텐츠)" (2014), 커뮤니케이션북스