辛弃疾“题壁词”研究

Abstract

Wall-Writing Literature is a traditional Chinese culture with a long history. During the Tang and Song Dynasties, the number of poems inscribed on walls suddenly increased significantly, which formed a cultural trend. Xin Qiji left a total of 27 poems inscribed on the wall. This paper mainly analyzes the type, content, form, and characteristics of these poems, and analyzes their relationship with the geographical environment. The places where he left more inscriptions are in the 带湖 and 瓢泉 areas of Jiangxi Province. The places where Xin Qiji 's poems inscribed walls can be mainly divided into seven categories: walls of studio buildings, cliffs and stone walls, garden pavilion walls, village walls, inn walls, wine shop walls, and some less common inscriptions on walls, such as bridges and fans. The number of poems inscribed on the bridges and fans are relatively small, so they are classified into other categories. In these inscriptions, we can see the long-term life of Xin Qiji in the Hubei area as a Shandong man. We can also find that after the poet returned to the south, he formed a relatively harmonious relationship with the geographical environment of Jingchu.