제머리마빡의 전통 연관성과 형성 담론

Abstract

The Jemorimabbak is a performance that we have not dealt with in the tradition of puppet performance of korea. Moreover, the interest grow for its form of puppet and way of puppetry are unusual. Hence I study the Jemorimabbak in the context of tradition of puppet performance of korea, and examine aspects of discourse which surround the Jemorimabbak. To put it concretely, I study the performance phenomenon of Jemorimabbak, and examine formative discourses. As a result, the performance phenomenon of Jemorimabbak and aspects of formative discourses are mutually contradictory. Hence I infer the reason of contradictory, and conclude this study. To summarize the results of study, as follows. The Jemorimabbak which is performed at the present time has similarities with the Mansokjung puppet which appears in the Mansokjungnori. It is similarities in that the puppets hit their own body. The Jemorimabbak meet Pakchogajangnongak in the aspect of performance way. The significance of Jemorimabbak puppets and Pakchogajangnongak puppets are the same, too. It can be said that the Jemorimabbak is built by outside influences, based on the above study of traditional relationships. Discourses which surround the Jemorimabbak are dominated by stories involved in the formation. Discourses which are involved in the formation of Jemorimabbak can be summmed up as follow: the Jemorimabbak was autochthonously formed, and has a long tradition, exceptional individuals have contributed to the autochthonous formation of Jemorimabbak. By the way, the performance phenomenon of Jemorimabbak which is inferred from the tradition of puppet performance of korea and the aspects of formative discourses are mutually contradictory. There are possibility of outside influences in the performance phenomenon of Jemorimabbak. On the other hand the formative discourses of Jemorimabbak emphasize an autochthonous. The formative discourses of Jemorimabbak aim for a traditional folklore. By comparison, the performance phenomenon of Jemorimabbak is revealed a property of public folklore. the performance aspects of Jemorimabbak which is studied in the context of tradition of puppet performance of korea and several projects which is going on since 2004 are revealed that the Jemorimabbak goes into a orbit of public folklore. For that very reason: in other way, the contradictory is caused by a gap between ‘the property of public folklore which is revealed in the performance phenomenon of Jemorimabbak’ and ‘the traditional folklore-aim of formative discourses which surround the Jemorimabbak’. To put it concretely, the contradictory between the performance phenomenon and the formative discourses is caused by a traditional folklore-aim of the Jemorimabbak which already goes into a orbit of public folklore.