<한거십팔곡(閑居十八曲)>과 통과제의
<Hangeosippalgok> and the rite of passage
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The purpose of this paper is the analysis of <Hangeosippalgok> to point its structure and meaning deduced from the rite of passage. In the light of the rite of passage, <Hangeosippalgok> could be retrieved its value as one of significant works among the works of Gangho-sijo. <Hangeosippalgok> is composed of nineteen pieces of monotype sijo. The first piece is a kind of prologue. The other pieces are divided into three parts which correspond with the three stages of the rite of passage-separation, transition, incorporation. As a result of this analysis, we can find out the writer's cognitive change according to the schema of the rite of passage. It becomes clear that the space of Gangho means the sacred space for mental culture rather than a separate space for escape. And considering the withdrawal for Gangho as the transition process of the rite of passage, <Hangeosippalgok> gives a description of the disentanglement of conflict and a incorporation into the superior position of spirit.
Abstract
The purpose of this paper is the analysis of <Hangeosippalgok> to point its structure and meaning deduced from the rite of passage. In the light of the rite of passage, <Hangeosippalgok> could be retrieved its value as one of significant works among the works of Gangho-sijo. <Hangeosippalgok> is composed of nineteen pieces of monotype sijo. The first piece is a kind of prologue. The other pieces are divided into three parts which correspond with the three stages of the rite of passage-separation, transition, incorporation. As a result of this analysis, we can find out the writer's cognitive change according to the schema of the rite of passage. It becomes clear that the space of Gangho means the sacred space for mental culture rather than a separate space for escape. And considering the withdrawal for Gangho as the transition process of the rite of passage, <Hangeosippalgok> gives a description of the disentanglement of conflict and a incorporation into the superior position of spirit.
참고문헌 (17)
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