수륙재의 원형 전승과 문화콘텐츠 전략화

Abstract

Since Suryukjae(ceremony for lonely, wandering ghosts in thewater and on earth) was designated as an Important IntangibleCultural Property in 2013, it at least needs to maintain its key format the time of designation. However, the problem is that thestandards for each item were not established because it wasdesignated in group for both recovery and acceptance of theperformance. Furthermore, the standards of transmission from theaspect of a following the ritual ceremony as a whole . not eventhe preferential prototype elements . were not established. Threedirections for making Suryukjae a cultural content were suggested,and a vision for promoting the identity of Suryukjae was proposed. While fully maintaining the originality and the profundity ofBuddhist art, the grope for discussion on development is expectedto be continued through recreation of the performance and Buddhistfestivals. Suryukjae is still on going as a prototype of value inliberal arts. The traditional Suryukjae will cope with new culture inthe future with its creative side. By integrating artistic ceremoniessuch as Buddhist ritual music Beompae, Buddhist dance, craft, andfood with the formal ritual, a killer K-performance content will becreated. It is urgent to secure a killer contents as a Buddhist cultural수륙재의 원형 전승과 문화콘텐츠 전략화.이창식 139asset. Turning Suryukjae into a killer content will succeed when itis proceeded in three stages. First, the characteristics of the templeand the region should be maintained while a creation of equal valueshould be discovered primarily. Embodiment of SamhwasaTemple‘s Bangsaeng Hwanwonseong (the characteristic ofreleasing captured fish for return), Jingwansa Temple’s BokrakGiwonseong (the characteristic of wishing for happiness), andBaekwoonsa Temple’s Gyeongi Yeonhuiseong (performance onmercy of Buddha) should be attempted. Second, an impressiveintegrated program should be developed. The museum should alsoconsidered a multipurpose cultural and tourism spot. Third, animpressive, grand, and interactive K-performance hologram, etc. should be created. The humanistic ideas of Suryukjae and theproduction ability of Buddhist sermon should be enhanced to thehighest quality. On top of deliberate transmission of traditionalknowledge on Suryukjae, artistic aspects should be added to createa modern performance. In related fields, these two works should beconducted simultaneously. In performing the Suryukjae festival as aformal ceremony, a voluntary working committee is required togather ideas of related groups. The killer content of Suryukjae isthe plan that will solve the problems of preservation andtransmission in the future. Going beyond the aspect of archivingand recording the ceremony, it is about turning it into a tourismitem that allows people to communicate and come together. Thegoal is to introduce a so-called the total performance product thatis the epitome of Hallyu.