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The Mistaken Identity in T. S. Eliot’s The Confidential Clerk

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초록

T. S. Eliot, in one of his later poetic dramas, The Confidential Clerk, shows the search for the mistaken identity dealing with the discovery of hero’s self for the eternal life in the common lives. From the title onwards the play also suggests a detective thriller interest concerned with the investigation of a mystery or, at least, some business of a secret, confidential nature. In this respect, the elements of mystery and their function deserve to be analyzed. It appears via the elements of investigation, coincidence, mystification, confession etc., which make the play fairly diverting and at the same time suggest symbolically its deeper meaning and theme. Actually the process of investigation receives more extended treatment in this play than in the earlier ones, and the suspense is so well maintained that the play definitely achieves a technical smoothness not to be seen in earlier plays. Therefore, this study aims to analyze the mystery thriller elements of the play, The Confidential Clerk and investigate how they are used with special reference to its subject matter, the mistaken identity revealed in the process of self-identification through the discovery of self. As seen in the analysis, Eliot makes all the characters take part in the search for the mistaken identity of Colby Simpkins and in particular, lets a detective named Eggerson help Mrs Guzzard as witness give evidence. In addition, he designs the story so that Eggerson can bring the whole affair to light by getting the clue to the identity problem which plays part in investigation. It matters that the discovery of hero’s true self is made thanks to the cooperative efforts of all the characters in this process, and here the elements required to investigation are of great help to structuring the basic frame of the play.

Abstract

T. S. Eliot, in one of his later poetic dramas, The Confidential Clerk, shows the search for the mistaken identity dealing with the discovery of hero’s self for the eternal life in the common lives. From the title onwards the play also suggests a detective thriller interest concerned with the investigation of a mystery or, at least, some business of a secret, confidential nature. In this respect, the elements of mystery and their function deserve to be analyzed. It appears via the elements of investigation, coincidence, mystification, confession etc., which make the play fairly diverting and at the same time suggest symbolically its deeper meaning and theme. Actually the process of investigation receives more extended treatment in this play than in the earlier ones, and the suspense is so well maintained that the play definitely achieves a technical smoothness not to be seen in earlier plays. Therefore, this study aims to analyze the mystery thriller elements of the play, The Confidential Clerk and investigate how they are used with special reference to its subject matter, the mistaken identity revealed in the process of self-identification through the discovery of self. As seen in the analysis, Eliot makes all the characters take part in the search for the mistaken identity of Colby Simpkins and in particular, lets a detective named Eggerson help Mrs Guzzard as witness give evidence. In addition, he designs the story so that Eggerson can bring the whole affair to light by getting the clue to the identity problem which plays part in investigation. It matters that the discovery of hero’s true self is made thanks to the cooperative efforts of all the characters in this process, and here the elements required to investigation are of great help to structuring the basic frame of the play.

참고문헌 (13)

  1. Brooke, Nicholas, "The Confidential Clerk: A Theatrical Review", The Durham University Journal, 15, pp.66~70 (1953)
  2. Eliot, T. S., "The Complete Poems and Plays of T. S. Eliot" (1978), Faber and Faber
  3. Eliot, T. S., "Selected Essays" (1980), Faber
  4. Eliot, T. S, "The Criterion, V, 1", pp.139~143 (1927)
  5. Frye, Northrop, "T. S. Eliot: An Introduction" (1981), The University of Chicago Press
  6. Jones, David E., "The Plays of T. S. Eliot" (1969), Routledge and Kegan Paul
  7. Kenner, Hugh, "The Invisible Poet" (1965), Methuen & Company
  8. Matthews, Honor, "Character and Symbol in Shakespeare’s Plays" (1962), Cambridge UP
  9. Poe, Edgar Allan, "The Complete Poems and Tales of Edgar Allan Poe" (1938), Random House
  10. Smith, Carol. H., "T. S. Eliot’s Dramatic Theory and Practice" (1963), Princeton UP
  11. Smith, Grover, "T. S. Eliot’s Poetry and Play" (1958), The University of Chicago Press
  12. Ward, David, "T. S. Eliot: Between Two Worlds" (1973), Routledge & Kegan Paul
  13. Worth, J. Katherine, "Revolutionary Eliot in: Drama Criticism: Developments Since Ibsen", pp.173~180 (1979), The Macmillan Press

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