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T. S. Eliot and Wyndham Lewis: 1914-1922

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The purpose of this paper is to explore the relationship between T. S. Eliot, the greatest modernist poet, and Wyndham Lewis, the Vorticist novelist-painter, during the years 1914-1922. The fact that the portrait T. S. Eliot (1938) is undeniably the masterpiece of Lewis acclaimed as the equal of da Vinci in his time reveals the close interaction of the two writers. This paper mainly focuses on excavating numerous letters both in The Letters of T. S. Eliot 1 (2009) and in The Letters of Wyndham Lewis (1963), touching upon Blast edited by Lewis and The Criterion by Eliot, furthermore upon Vorticism and modernism. Moreover, Eliot’s review “Tarr” (1918) on Lewis’s Vorticist novel Tarr (1918) and his brief adaptation of it in the modernist masterpiece The Waste Land (1922) reveals their intimate mutual relationship and strong influential interplay. This study will further elucidate the relationship between Eliot and Lewis during the years 1923-1925.

Abstract

The purpose of this paper is to explore the relationship between T. S. Eliot, the greatest modernist poet, and Wyndham Lewis, the Vorticist novelist-painter, during the years 1914-1922. The fact that the portrait T. S. Eliot (1938) is undeniably the masterpiece of Lewis acclaimed as the equal of da Vinci in his time reveals the close interaction of the two writers. This paper mainly focuses on excavating numerous letters both in The Letters of T. S. Eliot 1 (2009) and in The Letters of Wyndham Lewis (1963), touching upon Blast edited by Lewis and The Criterion by Eliot, furthermore upon Vorticism and modernism. Moreover, Eliot’s review “Tarr” (1918) on Lewis’s Vorticist novel Tarr (1918) and his brief adaptation of it in the modernist masterpiece The Waste Land (1922) reveals their intimate mutual relationship and strong influential interplay. This study will further elucidate the relationship between Eliot and Lewis during the years 1923-1925.

참고문헌 (20)

  1. "Blast" (2018)[URL]
  2. Buchanan, Bradley W., "Oedipus Against Freud: Myth and the End(s) of Humanism in Twentieth-Century British Literature", pp.49~70 (2010), U of Toronto P
  3. "The Criterion" (2018)[URL]
  4. Edwards, Paul, "Wyndham Lewis Portraits" (2008), National Portrait Gallery Publications
  5. Eliot, T. S., "Contemporanea", The Egoist, 5(6), pp.84~85 (1918)
  6. Eliot, T. S., "Inventions of the March Hare: Poems 1909-1917" (1996), Harcourt Brace
  7. Eliot, T. S., "The Letters of T. S. Eliot 1: 1898-1922" (2009), Faber and Faber
  8. Eliot, T. S., "The Letters of T. S. Eliot 2: 1923-1925" (2009), Faber and Faber
  9. Eliot, T. S., "The Poems of T. S. Eliot I" (2015), Johns Hopkins UP
  10. Eliot, T. S., "Tarr", The Egoist, 5(8), pp.105~106 (1918)
  11. Hickman, Miranda B., "The Geometry of Modernism: The Vorticist Idiom in Lewis, Pound, H.D., and Yeats" (2005), U of Texas P
  12. Lewis, Wyndham, "Blasting and Bombardiering" (1982), John Calder
  13. Lewis, Wyndham, "The Letters of Wyndham Lewis" (1963), New Directions
  14. Lewis, Wyndham, "Tarr" (2010), Oxford UP
  15. "Blast 1: Review of the Great English Vortex" (1914)[URL]
  16. "Blast 2: Review of the Great English Vortex" (1915)[URL]
  17. "Praxiteles" (2018)[URL]
  18. Southam, B. C., "A Guide to the Selected Poems of T. S. Eliot" (1996), Harcourt Brace & Co
  19. Svarny, Erik, "‘The Men of 1914’: T. S. Eliot and Early Modernism" (1988), Open UP
  20. "Wyndham Lewis Portraits" (2008)[URL]

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