T. S. Eliot’s Juxtaposition: “Mr. Eliot’s Sunday Morning Service” and “Sweeney among the Nightingales”
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Juxtaposition is one of Eliot’s most typical and innovative devices of impersonality in Poems (1920). While earlier poems in Prufrock and Other Observations (1917) with a single dominant point of view depends more on dramatic method, Poems with multiple voices more on allusive methods such as image and symbol. As his allusion gets more complex with the simultaneous application of the metaphysical wit, Symbolist symbol and Joyce’s novelistic method, Eliot drastically cuts personal pronouns and puts juxtaposition in front not to undermine clarity of meaning. His own mythical method is a method of allusion further strained by juxtaposition, whose resulting effect is sudden illumination of paradoxes. Eliot’s juxtaposition of unexpected elements with no links given comprehends images, voices, registers, settings, times, linguistic elements, narrative frameworks, and even syntactical structures. The essential qualities of impersonality in quatrain poems of Poems are achieved largely by non-logical and non-commented juxtaposition.
Abstract
Juxtaposition is one of Eliot’s most typical and innovative devices of impersonality in Poems (1920). While earlier poems in Prufrock and Other Observations (1917) with a single dominant point of view depends more on dramatic method, Poems with multiple voices more on allusive methods such as image and symbol. As his allusion gets more complex with the simultaneous application of the metaphysical wit, Symbolist symbol and Joyce’s novelistic method, Eliot drastically cuts personal pronouns and puts juxtaposition in front not to undermine clarity of meaning. His own mythical method is a method of allusion further strained by juxtaposition, whose resulting effect is sudden illumination of paradoxes. Eliot’s juxtaposition of unexpected elements with no links given comprehends images, voices, registers, settings, times, linguistic elements, narrative frameworks, and even syntactical structures. The essential qualities of impersonality in quatrain poems of Poems are achieved largely by non-logical and non-commented juxtaposition.
참고문헌 (18)
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