한복과 한옥의 조형미 분석
The Analysis in the Formative Beauty of the Korean Traditional Costume and House
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In the constructional aspect of the Korean traditional costume and house, it has been pursued the simple beauty, and it has formative beauty but is closed, since the composite structure made from the background of the Korean society, creates the circular space of the multiple stage.Here the structure of the Korean traditional house is consisted with an original form where the artificial techniques are excluded, as it is seen all around the general formative aspects of our culture. It has no excessive decorations, but possesses substantial genuineness to the intrinsic nature, in addition to the open and plain beauty. Therefore, it is felt natural there and it is shown with the beauty friendly to the nature.The beauty of the expression is based on the nature and is similar to it, through borrowing the elements from it, but there exists the formative beauty of somewhat natural. It is expressed with the neatness, the simplicity applying the use of the material as exists in the nature, and the temperance of the simplicity without techniques. Accordingly, it has been confirmed, that the Korean traditional costume and house have a formative commonness having influence each other all the time, since they have mutual close relationship in the living.
Abstract
In the constructional aspect of the Korean traditional costume and house, it has been pursued the simple beauty, and it has formative beauty but is closed, since the composite structure made from the background of the Korean society, creates the circular space of the multiple stage.Here the structure of the Korean traditional house is consisted with an original form where the artificial techniques are excluded, as it is seen all around the general formative aspects of our culture. It has no excessive decorations, but possesses substantial genuineness to the intrinsic nature, in addition to the open and plain beauty. Therefore, it is felt natural there and it is shown with the beauty friendly to the nature.The beauty of the expression is based on the nature and is similar to it, through borrowing the elements from it, but there exists the formative beauty of somewhat natural. It is expressed with the neatness, the simplicity applying the use of the material as exists in the nature, and the temperance of the simplicity without techniques. Accordingly, it has been confirmed, that the Korean traditional costume and house have a formative commonness having influence each other all the time, since they have mutual close relationship in the living.
참고문헌 (10)
- "증보 한국복식사 연구", pp.60~ (1973), 아세아 문화사
- "미술과 시지각", pp.66~ (1981)
- "한옥의 공간과 문화", pp.254~ (2005), 교문사
- "한국 전통건축과 동양사상", pp.151~154 (2005), 북하우스
- "한옥의 재발견", pp.17~ (2003), 주택문화사
- "우리 옛 건축에 담긴 표정들", pp.268~ (2004), 대원사
- "조선시대복식연구", pp.153~ (1999), 교학연구사
- "한국목조건축", pp.46~51 (1987), 서울 일지사
- "Op. cit", pp.207~212 (2005)
- "1923년 서울출생으로 위당정인보 선생의 따님 으로 필자가 1996년 1월 방문하여 대담을 채록함." (1996), 침선장
