고려불화에 표현된 복식 문양 연구
The Patterns on Costumes in The Buddhist Painting of Goryeo Dynasty
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초록
The purpose of this study is to classify the patterns on costumes in the buddhist painting in Goryeo dynasty and compare with textiles which excavated from buddhist statues in 14th century. The following is a summary of this study. First, The patterns of costumes in Goryeo buddhist painting are geometric pattern(hexagon, coin shaped, mesh, snow), floral roundel, lotus, small floral units, sea pomegranate, litch, cloud, wave pattern, dragon, phoenix, vajra pattern, treasures pattern and Buddha-Bodhisattva pattern. Second, Geometrical pattern was used much more than other period. These geometric patterns may either be arranged as a single pattern in overall textiles, or compose a double pattern, along with other different patterns as the background design. The medallions [Gwamun] was popularized, where the pattern's boundary was drawn by outlining a certain shape on the background, then inserting the main pattern inside. Big roundels and small unit of patterns were generally used. The overall appearance is formed by an arrangement of the unit pattern, similar to stacking bricks, where the upper and lower patterns are arranged as being stagger, and changing the direction of the patterns in the upper and lower layers. Third, the patterns of costumes in Goryeo buddhist painting was very similar to the real textiles excavated from Goryeo dynasty. So we could find the patterns on costumes in painting were the depictions of the textile which actually were used in Goryeo period.
Abstract
The purpose of this study is to classify the patterns on costumes in the buddhist painting in Goryeo dynasty and compare with textiles which excavated from buddhist statues in 14th century. The following is a summary of this study. First, The patterns of costumes in Goryeo buddhist painting are geometric pattern(hexagon, coin shaped, mesh, snow), floral roundel, lotus, small floral units, sea pomegranate, litch, cloud, wave pattern, dragon, phoenix, vajra pattern, treasures pattern and Buddha-Bodhisattva pattern. Second, Geometrical pattern was used much more than other period. These geometric patterns may either be arranged as a single pattern in overall textiles, or compose a double pattern, along with other different patterns as the background design. The medallions [Gwamun] was popularized, where the pattern's boundary was drawn by outlining a certain shape on the background, then inserting the main pattern inside. Big roundels and small unit of patterns were generally used. The overall appearance is formed by an arrangement of the unit pattern, similar to stacking bricks, where the upper and lower patterns are arranged as being stagger, and changing the direction of the patterns in the upper and lower layers. Third, the patterns of costumes in Goryeo buddhist painting was very similar to the real textiles excavated from Goryeo dynasty. So we could find the patterns on costumes in painting were the depictions of the textile which actually were used in Goryeo period.
참고문헌 (8)
- 심연옥, "한국직물문양", pp.45~ (2006), (주)삼화인쇄출판사, 고대직물연구소출판부
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- 堂沙嫏, "中國敦煌歷代服飾圖案", pp.111~ (2001), 中國輕工業出版社
- The Metropolitan Museum of Art, "Silk was gold-Central Asian Chinese Textiles", pp.117~ (1997)
- 수덕사 근역성보박물관, "至心歸命禮-織ㆍ染ㆍ繡 그리고 佛敎", pp.184~ (2006), 신명기획
