조선후기 가전체 소설 <여용국전>에 나타난 우리나라 전통화장문화
Korea Traditional Cosmetic Cultrue in the Yeoyong Guk Jeon, an Anthropomorphosized Korean Novel in the Late Chosun Dynasty
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The skin care and make-up culture described in the Korean novel Yeoyonggukjeon were investigated using both Korean and Chinese translation version, based on a view of womanhood of Shilhak scholars who studied practical matters. Shilhak scholars were focused on present social problem and promotion of public welfare. However, their attitude toward women was not significantly different from that of neo-confucians, and woman’s make-up culture had been developed within the cultural boundaries of confucianism. Positive views on woman’s beauty were observed as order of the country was compared with well cared women’s face by cosmetics. Women in the late Choson period were focused on hygiene as well as cleanliness of face and preferred the light-colored make-up. In conclusion, although the function of make-up set was not subdivided into many types, various cosmetics had been used in the late Choson period, similar to these days.
Abstract
The skin care and make-up culture described in the Korean novel Yeoyonggukjeon were investigated using both Korean and Chinese translation version, based on a view of womanhood of Shilhak scholars who studied practical matters. Shilhak scholars were focused on present social problem and promotion of public welfare. However, their attitude toward women was not significantly different from that of neo-confucians, and woman’s make-up culture had been developed within the cultural boundaries of confucianism. Positive views on woman’s beauty were observed as order of the country was compared with well cared women’s face by cosmetics. Women in the late Choson period were focused on hygiene as well as cleanliness of face and preferred the light-colored make-up. In conclusion, although the function of make-up set was not subdivided into many types, various cosmetics had been used in the late Choson period, similar to these days.
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