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용인 영덕동 출토 금원문(金圓紋) 저고리의 제직특성 연구

A Study on Weaving Characteristics of Gold Rounded Pattern Jacket Excavated from Youndokudon Yongin

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참고문헌

키워드

주제분류의상

초록

This study identifies the techniques of expression of gold rounded patterns through an investigation into and analysis of textiles excavatedfrom the Yeongdeokdong site located in Yongin, and also examines their chronological characteristics. It found that the textiles expressedthrough the gold rounded patterns were jik-geum textiles, not gold leaf textiles. Two types of metal threads were used for weaving,including flat gold threads and flat silver threads. It is presumed that since the excavation area is an environment that easily erodes vegetablefibers, badges were fused and became lost, leaving gold leaves only. Weave structure is twill with supplementary gold threads on thetwill damask. As for the back of the textile, part of the ground wefts was removed from the tissue for balanced density. The gold roundedpattern features a very special shape with two birds placed in the upper and lower sides and a cloud pattern around them, which forms asingle pattern. Jik-geum textiles in the same pattern are found in the Tokyo Museum in Japan. Both are very similar in terms of the patternshape and physical nature of the textile, but their tissues are different. Also, as the textiles found in Japan used only flat gold threads,they are different, and it is presumed that it was made by copying the gold rounded pattern in the same period. As such, it is presumedthat the gold rounded pattern jik-geum textiles excavated in Yeongdeokdong, Yongin can be dated to between the latter early Joseon(15thcentury). The jik-geum jackets that have been found thus far have featured the jik-geum pattern at the bottom of the gil. However, the onlytextiles that feature a gold rounded pattern throughout the gil on the front as well as the back sides are the jik-geum textiles, making themsignificant in the history of traditional Korean costume.

Abstract

This study identifies the techniques of expression of gold rounded patterns through an investigation into and analysis of textiles excavatedfrom the Yeongdeokdong site located in Yongin, and also examines their chronological characteristics. It found that the textiles expressedthrough the gold rounded patterns were jik-geum textiles, not gold leaf textiles. Two types of metal threads were used for weaving,including flat gold threads and flat silver threads. It is presumed that since the excavation area is an environment that easily erodes vegetablefibers, badges were fused and became lost, leaving gold leaves only. Weave structure is twill with supplementary gold threads on thetwill damask. As for the back of the textile, part of the ground wefts was removed from the tissue for balanced density. The gold roundedpattern features a very special shape with two birds placed in the upper and lower sides and a cloud pattern around them, which forms asingle pattern. Jik-geum textiles in the same pattern are found in the Tokyo Museum in Japan. Both are very similar in terms of the patternshape and physical nature of the textile, but their tissues are different. Also, as the textiles found in Japan used only flat gold threads,they are different, and it is presumed that it was made by copying the gold rounded pattern in the same period. As such, it is presumedthat the gold rounded pattern jik-geum textiles excavated in Yeongdeokdong, Yongin can be dated to between the latter early Joseon(15thcentury). The jik-geum jackets that have been found thus far have featured the jik-geum pattern at the bottom of the gil. However, the onlytextiles that feature a gold rounded pattern throughout the gil on the front as well as the back sides are the jik-geum textiles, making themsignificant in the history of traditional Korean costume.

참고문헌 (9)

  1. 용인 영덕동 유적출토 무연고 여(女)분묘 복식고찰, 용인 영덕동 유적-용인 영덕 택지개발사업부지내 문화유적 시·발굴조사보고서, "박성실", 경기문화재단 경기문화재연구원, 377~424 (2010)
  2. 용인 영덕동 유적출토 금속장식 단령 및 저고리의 재료ㆍ기법연구 및 보존처리, "오준석", 경기문화재단 경기문화재연구원, 479~ (2010)
  3. 심연옥, "직금ᆞ자수에 사용된 금사의 형태와 특징 비교 고찰", 복식, 63(7), pp.79~93 (2013), 한국복식학회[DOI]
  4. 심연옥, "금박장", pp.40~ (2009), 민속원
  5. 赵丰, "織繡珍品", pp.172~ (2005), 藝紗堂
  6. 심연옥, "한국직물문양 이천년", pp.82~ (2006), 고대직물연구소춢판부
  7. 국립문화재연구소, "우리나라 전통무늬 V.2 도자기", pp.268~ (2006), 눌와
  8. 임영주, "한국의 전통문양", pp.75~ (2004), 대원사
  9. 궁중유물전시관, "황실복식의 품위", 134~ (2002)

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