남창 가곡 羽調 弄·樂의선율과 노랫말의 관련성

Abstract

The aim of this paper is examine the relevance of betueen the melody and song words in Kagok(歌曲) Rong(弄) and Rak(樂) by male. The Sijo(時調) verse is song words. So Sijo have to be studied as a song not just literature. Sijo verses are sung by Sijochang(時調唱) and Kagokchang(歌曲唱). Kagok- chang is composed of five sections and divided male and female's song. Sijochang is composed of three sections and male and female's song is same. Today 26 melodies are sung as the Kagokchang by male. I studied the man's Kagok(歌曲) Woojo(羽調) Rong[Woorong(羽弄)] and Rak[Woorak(羽樂), Unrak(言樂)] in this paper. Because the Rong and Rak have high relevance between the melody and words. The melody of Woorong(羽弄) is flat and simple. And the similar melodies are repeated on 1, 2, 3, 5 sections. But owing to deeply surged melody on low musical range and swaggered vocalization feels arrogant. Because it's words have no transition of poetic situation, expressed degage and high blown taste. The musical range of Woorak(羽樂) is more broad and more speedy then Woorong. Flat and medium pitch melody alternated after started high pitch descended to low pitch melody. But the musical interval is changed step by step. And use lifting sound(推聲:lift one step higher than next interval and speedy go down next interval) whenever the sound pitch change. Because this melody is felt light and delightful mood. Because this melody match the poetic situation is changed and expressed light and merry taste. Unrak(言樂)’s basic melody if similar to Woorak. But it is the most speedy. This melody is started high tone and more speedy than Woorak. Because this melody is suitable for expressing the puffed up and talkative taste. 1, 2, 4 section melodies of Kagok is fixed. But 3 and 5 section is fluid and selective. On these sections, singer is able to choose the suitable melody according to the words atmosphere. And he can sing same words by another tune. Tune selection depends on singer's viewpoint about the words.