기억의 판에 새겨진 아이네아스와 디도 이야기: 초서의 [명성의 전당]과 독자
The Story of Aeneas and Dido on the Tablet of Memory: The House of Fame and the Reader
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Abstract
According to various scholarship on the ancient and medieval understanding of memory, its representational function in restructuring the past for present cognition and, for that matter, what one has read for later recollection and composition has important ramifications for understanding the process involved in reading and the closely related activity of writing. In Book 1 of the House of Fame, Chaucer effectively demonstrates how in and through the memory of its reader a text was understood to have a life of its own once the author ceased to speak. What is written on a brass tablet as though it would never be erased or revised what an author like Virgil supposedly does with his authority is superimposed by the reader's mental images that are in his intertextual memory, which in turn question the received significance of the texts that have been awarded fame by the collective memory. The rhetoric treatises's recognition of a text's ending as the point of transition that is, the transition of authority from the author to the reader is figured prominently by the House of Fame as the poem legitimizes the reader's assessment of what is true or false.
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