「십자가의 꿈」에서 보여진 꿈의 환상의 의미: 화자의 변형과 일치
The Implication of the Dream Vision: Transformation and Coalescence of Speakers in “The Dream of the Rood”
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
There are three main speakers in “The Dream of the Rood”: the first of these is the Dreamer, within whose mind and in whose words the whole poem takes place. As Susanne Langer has rightly put it, “The most noteworthy formal characteristic of dream is that the dreamer is always at the center of it.” The second is the speaking tree before the scene of crucifixion. The third is the cross which appears in a visionary form and speaks at length to the dreamer, and by so doing fundamentally alters his life. The fourth is the dryhten (Lord) Christ, who delivers his message through the cross. However, such individuality is often obscured as the roles of speakers overlap.. This obscurity emerges firstly between the tree and the cross, secondly the cross and Christ, thirdly the cross and the Dreamer, and finally Christ and the Dreamer. The coalescence of the speakers is gradually achieved through the poet's characteristic use of words or phrases. The word eaxlegespann (cross beam) is the first suggestion, that is, the metaphor by which the body of the tree or cross is increasingly identified with that of Christ. Two phrases are applied to the dreamer just after the Rood has finished speaking which earlier have been applied to Christ. The first, “elne micle” (with great zeal, courage; DR 123) describes the dreamer's strong desire to pray to the cross. It also parallels the “elne micle” (DR 34) with which ‘the Lord of mankind’ earlier hurried to mount up on the cross. However, this parallelism between the Dreamer and Christ with reference to the same formulaic expression does not necessarily mean that the Dreamer is identified with Christ unlike the sharing of the same identification of the Cross and Christ. Hence exists clear difference in terms of transformation and coalescence of identification amongst the tree, cross and Christ, and the Dreamer and Christ.
Abstract
There are three main speakers in “The Dream of the Rood”: the first of these is the Dreamer, within whose mind and in whose words the whole poem takes place. As Susanne Langer has rightly put it, “The most noteworthy formal characteristic of dream is that the dreamer is always at the center of it.” The second is the speaking tree before the scene of crucifixion. The third is the cross which appears in a visionary form and speaks at length to the dreamer, and by so doing fundamentally alters his life. The fourth is the dryhten (Lord) Christ, who delivers his message through the cross. However, such individuality is often obscured as the roles of speakers overlap.. This obscurity emerges firstly between the tree and the cross, secondly the cross and Christ, thirdly the cross and the Dreamer, and finally Christ and the Dreamer. The coalescence of the speakers is gradually achieved through the poet's characteristic use of words or phrases. The word eaxlegespann (cross beam) is the first suggestion, that is, the metaphor by which the body of the tree or cross is increasingly identified with that of Christ. Two phrases are applied to the dreamer just after the Rood has finished speaking which earlier have been applied to Christ. The first, “elne micle” (with great zeal, courage; DR 123) describes the dreamer's strong desire to pray to the cross. It also parallels the “elne micle” (DR 34) with which ‘the Lord of mankind’ earlier hurried to mount up on the cross. However, this parallelism between the Dreamer and Christ with reference to the same formulaic expression does not necessarily mean that the Dreamer is identified with Christ unlike the sharing of the same identification of the Cross and Christ. Hence exists clear difference in terms of transformation and coalescence of identification amongst the tree, cross and Christ, and the Dreamer and Christ.
참고문헌 (28)
- Alexander, Michael, "Beowulf" (1973), Penguin
- Bonjour, Adrien, "Twelve Beowulf Papers: 1940-1960 with Additional Comments" (1962), U of Neuchatel
- Bosworth, Joseph, "An Anglo-Saxon Dictionary" (1882), Oxford UP
- Britton, G. C., "The Characterization of the Vikings in The Battle of Maldon", N&Q, 12, pp.85~87 (1965)
- Bolton, W. F., "The Book of Job in The Dream of the Rood", Mediaevalia, 6, pp.87~103 (1980)
- Burlin, Robert B., "Old English Studies in Honour of John C. Pope" (1974), U of Toronto P
- Cherniss, M. D., "Ingeld and Christ: Heroic Concepts and Values in Old English Christian Poetry" (1972), Mouton
- Chambers, R. W., "Beowulf: An Introduction to the Study of the Poem with a Discussion of the Stories of Offa and Finn" (1959), Cambridge UP
- Clark Hall, "Beowulf and the Finnsburg Fragment" (1963), George Allen & Unwin
- Einarsson, Stefan, "Old English Beot and Old Icelandic Heitsrenging", PMLA, 49, pp.975~993 (1934)
- Farrell, R. T., "Beowulf, Swedes and Geats", Saga-Book, 18, pp.225~286 (1972)
- Garmonsway, G. N., "Beowulf and its Analogues" (1980), J. M. Dent & Sons
- Helder, William, "The engel dryhtnes in The Dream of the Rood", Modern Philology, 73, pp.148~150 (1975)
- Irving, Edward. B., Jr., "Rereading Beowulf" (1989), U of Pennsylvania P
- Irving, Edward. B., Jr., "A Reading of Beowulf" (1968), Yale UP
- Kendal, Calvin B., "The Metrical Grammar of Beowulf" (1991), Cambridge UP
- Klaeber, Frederick, "Beowulf and the Fight at Finnsburg. 3rd ed" (1950), Heath
- Langer, Susanne, "Feeling and Form: A Theory of Art" (1953), Scribner
- Lawrence, William W., "Beowulf and Epic Tradition" (1930), Harvard UP
- Lee, Alvin, "Towards a Critique of the Dream of the Rood in: Anglo-Saxon Poetry" (1975), U of Notre Dame P
- Nicholson, Lewis S., "Anglo-Saxon Poetry: Essays in Appreciation" (1975), U of Notre Dame P
- Parks, Ward, "Verbal Duelling in Heroic Narrative: The Homeric and Old English Traditions" (1990), Princeton UP
- Renoir, Alain, "A Key to Old Poems: The Oral-Formulaic Approach to the Interpretation of West-Germanic Verse" (1988), Pennsylvania State UP
- Sherley-Price, Leo, "A History of the English Church and People" (1968), Penguin Books
- Shippey, T. A., "Old English Verse" (1972), Hutchinson
- Spearing, A. C., "Medieval Dream-Poetry" (1980), Cambridge UP
- Swanton, Michael, "The Dream of The Rood" (1987), U of Exeter P
- Wrenn, C. L., "Beowulf, with the Finnesburg Fragment" (1984), Harrap
