李箱의 미발표 창작노트의 텍스트 확정 문제와 일본 문학 수용 양상 - 「與田準一」과 「月原橙一郞」의 출처에 관하여
Studies on the problem of confirming the poems in Yi-sang's unpublished creation notes and the reception aspect from the japanese literature in the same period: about the origin of the poems, "Yoda Junichi(與田準一)" and "Tsukihara Toichiro(月原橙一郞)"
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Up to now, known as Yi-sang's own poems, "Yoda Junichi(與田準一)" and "Tsukihara Toichiro(月原橙一郞)" are, in fact, not his poems but the poems written by japanese poet, Yoda Junichi(與田準一) and Tsukihara Toichiro(月原橙一郞) themselves. Yi-sang excerpted and transcribed that poems to his creation note, reading them in the "collected poems of 1930" published in Tokyo, 1930. Because Yi-sang's unpublished creation note were just discovered in 1987, researchers couldn't find whether none of poems created by him were. This study focuses on investigating into the relationship between Yi-sang and japanese literature at that time, confirming the poems in Yi-sang's unpublished creation notes empirically. Yi-sang was responsive of the state of japanese literature circle well reading a lot of poems written in Japan in those days through the library of Chosen the government-general. His genius works in Korean literature is not just made in a back room, but results from being influenced keeping pace with the modernity of Japan literature and world. This fact gives us a vivid and wide prospect to interpret Yi-sang's abstruse text covered with Yi-sang's deified image.
Abstract
Up to now, known as Yi-sang's own poems, "Yoda Junichi(與田準一)" and "Tsukihara Toichiro(月原橙一郞)" are, in fact, not his poems but the poems written by japanese poet, Yoda Junichi(與田準一) and Tsukihara Toichiro(月原橙一郞) themselves. Yi-sang excerpted and transcribed that poems to his creation note, reading them in the "collected poems of 1930" published in Tokyo, 1930. Because Yi-sang's unpublished creation note were just discovered in 1987, researchers couldn't find whether none of poems created by him were. This study focuses on investigating into the relationship between Yi-sang and japanese literature at that time, confirming the poems in Yi-sang's unpublished creation notes empirically. Yi-sang was responsive of the state of japanese literature circle well reading a lot of poems written in Japan in those days through the library of Chosen the government-general. His genius works in Korean literature is not just made in a back room, but results from being influenced keeping pace with the modernity of Japan literature and world. This fact gives us a vivid and wide prospect to interpret Yi-sang's abstruse text covered with Yi-sang's deified image.
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