1930년대 <숙영낭자전>의 창극화 도정 연구 -1937년 2월 조선성악연구회의 공연 사례를 중심으로-

Abstract

Choseon folk music theater(Choseonseongakyeonguhoe) performed Sugyeongnangjajeon in the form of Changguek in February 1937. Sugyeongnangjajeon was a popular work in classical novels, but it was not widely known as a Pansori style. However, Choseon folk music theater challenged the Changguek performance of this work and experienced some notable achievements and limitations in the process. The primary reason for this performance was that Jung Jeongryeol and Park Rokju were accustomed to the pansori vocals of Sugyeongnangjajeon and the content of Sugyeongnangjajeon implies motives and events that contemporary audiences would prefer. In other words, the process of converting Sugyeongnangjajeon into Changguek form was easy, and in terms of acceptance of works, Sugyeongnangjajeon was quite attractive. Moreover, Choseon folk music theater had to escape from the traditional repertoire of Story of Chun-Hyang(Chunhyangjeon), Story of Simcheong and Story of Heungbu. And after that, Choseon folk music theater had to develop and disseminate a new repertoire as a substitute for this original repertoire. However, as a result, the conversion of Sugyeongnangjajeon into Changguek form did not succeed. In this study, based on the Pansori Sugyeongnangjajeon(script and recording), the results of the study on the classic novel Sugyeongnangjajeon were related to the related production of Dongyang theater. Therefore, this study tried to present the reality of Sugyeongnangjajeon as Changguek form, its characteristics, and the causes of success and failure.