Miserable Knowledge in Henry James’s The Portrait of a Lady
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study explores the relationship between acquisition of knowledge and innocence, and contends that innocence premises the acquisition of knowledge contrary to the notion that innocence is identical to ignorance. Isabel assumes that acquiring miserable knowledge is necessary for her growth and consciously pursues this knowledge. Through Isabel’s acquisition of miserable knowledge and the process of contemplating and absorbing this knowledge, The Portrait of a Lady examines how knowledge and innocence are combined. The novel explores how Isabel gains and deals with the knowledge that Osmond and Merle, whom she believed to be innocent, have used and betrayed her for their own profit. Isabel accepts miserable knowledge as the condition of life and maintains her relations with those who have committed evil against her, instead of avenging or isolating herself from them. In the process of acquiring and processing miserable knowledge, she embraces those who have made her miserable. By possessing and maintaining her innocence even after her acquisition of knowledge, Isabel revises the meaning of innocence.
Abstract
This study explores the relationship between acquisition of knowledge and innocence, and contends that innocence premises the acquisition of knowledge contrary to the notion that innocence is identical to ignorance. Isabel assumes that acquiring miserable knowledge is necessary for her growth and consciously pursues this knowledge. Through Isabel’s acquisition of miserable knowledge and the process of contemplating and absorbing this knowledge, The Portrait of a Lady examines how knowledge and innocence are combined. The novel explores how Isabel gains and deals with the knowledge that Osmond and Merle, whom she believed to be innocent, have used and betrayed her for their own profit. Isabel accepts miserable knowledge as the condition of life and maintains her relations with those who have committed evil against her, instead of avenging or isolating herself from them. In the process of acquiring and processing miserable knowledge, she embraces those who have made her miserable. By possessing and maintaining her innocence even after her acquisition of knowledge, Isabel revises the meaning of innocence.
참고문헌 (49)
- 최정선, "헨리 제임스의 여인의 초상: 이자벨 아처의 선택과 결말의 해석문제", 근대영미소설, 14(1), pp.143~164 (2007)
- Allen, Elizabeth, "A Woman’s Place in the Novels of Henry James" (1984), Macmillan
- Armstrong, Paul, "The Phenomenology of Henry James" (1983), U of North Carolina P
- Brissenden, R. F., "Virtue in Distress : Studies in the Novel of Sentiment from Richardson to Sade" (1974), Macmillan
- Bollinger, Laurel, "The Ethics of Reading: The Struggle for Subjectivity in The Portrait of a Lady", Criticism, 44(2), pp.139~160 (2002)
- Bourdieu, Pierre, "Distinction: A Social Critique of the Judgment of Taste" (1984), Harvard UP
- Bourdieu, Pierre, "Structuralism and the Theory of Sociological Knowledge", Social Research, 35(4), pp.681~706 (1968)
- Cameron, Sharon, "Thinking in Henry James" (1989), U of Chicago P
- Diggory, Joel, "A World of Ruins: Tragedy and Henry James’s The Portrait of a Lady", The Cambridge Quarterly, 46(3), pp.207~228 (2017)
- Edel, Leon, "The Portrait of a Lady", pp.v~xx (1963), Houghton Mifflin
- Edel, Leon, "The Myth of America in The Portrait of a Lady", The Henry James Review, 7, pp.8~17 (1986)
- Fessenbecker, Patrick, "Freedom, Self-Obligation, and Selfhood in Henry James", Nineteenth Century Literature, 66(1), pp.69~95 (2011)
- Fiedler, Leslie, "An End to Innocence : Essays on Culture and Politics" (1955), Beacon Press
- Fischer, Sandra, "Isabel Archer and the Enclosed Chamber: A Phenomenological Reading", The Henry James Review, 7(2), pp.48~58 (1986)
- Foss, Chris, "Female Innocence as Other in The Portrait of a Lady and What Maisie Knew: Reassessing the Feminist Recuperation of Henry James", Essays in Literature, 22(2), pp.253~268 (1995)
- Friend, Joseph, "The Structure of The Portrait of a Lady", Nineteenth-Century Fiction, 20(1), pp.85~95 (1969)
- Fryer, Judith, "The Faces of Eve" (1976), Oxford UP
- Gilmore, Michael, "The Commodity World of The Portrait of a Lady", The New England Quarterly, 59(1), pp.51~74 (1986)
- Greene, Thayer, "America’s Loss of Innocence: Bicentennial Reflections", Psychological Perspectives, 7(2), pp.137~154 (1976)
- Hussey, Miciah, "Eyeing the Beholder: Henry James’s Immaterial Portrait of a Lady", The Henry James Review, 37(2), pp.174~190 (2016)
- "The Oxford English Dictionary" (2010)
- James, Henry, "The Portrait of a Lady" (1995), Oxford UP
- Jöttkandt, Sigi, "Portrait of an Act: Aesthetics and Ethics in The Portrait of a Lady", The Henry James Review, 25(1), pp.67~86 (2004)
- Kang, Young Ahn, "Global Ethics and a Common Morality", Philosophia Reformata, 71(1), pp.79~95 (2006)
- Keith, Leslie, "Henry James’s The Portrait of a Lady", Journal of the American Psycho Analytic Association, 63(1), pp.139~151 (2015)
- Kolodny, Annette, "The Land Before Her: Fantasy and Experience of the American Frontiers, 1630-1860" (1984), U of North Carolina P
- Krzeminski, Jessica, "The Discovery was Tremendous: Sex, Secrets, and Selfhood in The Portrait of a Lady", The Henry James Review, 40(3), pp.276~283 (2019)
- Krook, Dorothea, "The Ordeal of Consciousness in Henry James" (1963), Cambridge UP
- Lamm, Kimberly, "A Future for Isabel Archer: Jamesian Feminism, Leo Bersani, and Aesthetic Subjectivity", The Henry James Review, 32(3), pp.249~258 (2011)
- Lewis, R. W. B., "The American Adam: Innocence, Tragedy, and Tradition in the Nineteenth Century" (1955), U of Chicago P
- MacComb, Debra, "Divorce of a Nation; or, Can Isabel Archer Resist History?", The Henry James Review, 17(2), pp.129~143 (1996)
- May, Henry, "The End of American Innocence: A Study of the First Years of Our Own Time 1912-1917" (1959), Alfred Knopf
- McMaster, Juliet, "The Portrait of Isabel Archer", American Literature, 45(1), pp.50~66 (1973)
- Miller, Hillis, "What is a Kiss? Isabel’s Moments of Decision", Critical Inquiry, 31(3), pp.722~746 (2005)
- Miller, Nancy, "Novels of Innocence: Fictions of Loss", Eighteenth-Century Studies, 11(3), pp.325~339 (1978)
- Mitchell, Jonathan, "Revision of the American Adam: Innocence, Identity and Masculinity in Twentieth Century America" (2011), Continuum
- Morris, Herbert, "On Guilt and Innocence : Essays in Legal Philosophy and Moral Psychology" (1976), U of California P
- Murphet, Julian, "An Oasis of Horror: Affirming the Affect of The Portrait of a Lady", The Henry James Review, 40(3), pp.194~203 (2019)
- O’Connor, Dennis, "Intimacy and Spectatorship in The Portrait of a Lady", The Henry James Review, 2(1), pp.25~35 (1980)
- Patea, Viorica, "Critical Essays on the Myth of the American Adam", pp.15~44 (2001), Ediciones Universidad de Salamanca
- Powers, Lyall, "The Portrait of a Lady: The Eternal Mystery of Things", Nineteenth-Century Fiction, 14(2), pp.143~155 (1959)
- Sanner, Kristin, "‘Wasn’t All History Full of the Destruction of Precious Things?’: Missing Mothers, Feminized Fathers, and the Purchase of Freedom in Henry James’s The Portrait of a Lady", The Henry James Review, 26(2), pp.147~167 (2005)
- Tanner, Tony, "Henry James: Modern Judgements", pp.143~159 (1968), Macmillan
- Swartz, David, "Culture and Power : The Sociology of Pierre Bourdieu" (1997), U of Chicago P
- Torsney, Cheryl, "The Political Context of The Portrait of a Lady", The Henry James Review, 7(2-3), pp.86~104 (1986)
- Wadsworth, Sarah, "Innocence Abroad: Henry James and the Re-Invention of the American Woman", The Henry James Review, 22(2), pp.107~127 (2001)
- Warren, Jonathan, "Imminence and Immanence: Isabel Archer’s Temporal Predicament in The Portrait of a Lady", The Henry James Review, 14(1), pp.1~16 (1993)
- Wiesenfarth, Joseph, "A Woman in The Portrait of a Lady", The Henry James Review, 7(2), pp.18~28 (1986)
- Zagarell, Sandra, "The Portrait of a Lady: No Intention of Deamericanising", The Henry James Review, 35(1), pp.23~33 (2014)
