村上春樹作品世界に浸透するジャズ音楽 -「中国行きのスロウボート」と「On A Slow Boat to China」を中心に-
The uses of jazz music in Haruki Murakami's work
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper is a review of Haruki Murakami's first short novel 'A Slow Boat to China' focusing on musical perspective. The title of this novel 'A Slow Boat to China' was derived from a jazz music called 'On A Slow Boat to China'. Furthermore, Haruki Murakami mentioned that he took a hint from this music. However, in comparison with the novel, music illustrates the complete opposite aspect. Moreover, there is no existence of a reference to the music. The purpose of this paper is to study the background of the genre of jazz, the background of the music 'On A Slow Boat to China' and it's inner world and the correlation between these two. Finally, this paper aimed to find the meaning of jazz to Haruki Murakami .In particular, the short novel was published with early trilogy of Haruki Murakami. Thus, this paper focused on the concept of 'death' described in the literary work.
Abstract
This paper is a review of Haruki Murakami's first short novel 'A Slow Boat to China' focusing on musical perspective. The title of this novel 'A Slow Boat to China' was derived from a jazz music called 'On A Slow Boat to China'. Furthermore, Haruki Murakami mentioned that he took a hint from this music. However, in comparison with the novel, music illustrates the complete opposite aspect. Moreover, there is no existence of a reference to the music. The purpose of this paper is to study the background of the genre of jazz, the background of the music 'On A Slow Boat to China' and it's inner world and the correlation between these two. Finally, this paper aimed to find the meaning of jazz to Haruki Murakami .In particular, the short novel was published with early trilogy of Haruki Murakami. Thus, this paper focused on the concept of 'death' described in the literary work.
참고문헌 (17)
- 小川隆夫, "ビバップ読本 証言で語るジャズ史", pp.12~124 (2018), シンコーミュージック
- 河合敦, "[図解]知ってるようで知らない昭和史─意外に知らない「昭和」の全体像を短時間で理解できる教科書", pp.86~87 (2005), PHP研究所
- 霧生トシ子, "Jazzの集大成としてのBeBop", 尚美学園大学芸術情報学部紀要, (3), pp.129~144 (2004), 尚美学園
- 柴田勝二, "村上春樹と夏目漱石─二人の国民作家が描いた<日本>", pp.108~112 (2011), 詳伝社
- 出版局年鑑事典編集部, "朝日新聞で読む20世紀", pp.144~145 (1999), 朝日新聞社
- デュイスシロシャルル・マルタ, "村上春樹の初期作品について-背景も視野に入れながら", 岩手大学大学院人文社会科学研究科研究紀要, 17, pp.69~86 (2008), 岩手大学大学院人文社会科学研究科
- 徳本由紀子, "アメリカンカルチュラルスタディーズ─文学映画音楽メディア", pp.72~73 (2000), 萌書房
- 何憶鴿, "語らずに伝えるという方法: 村上春樹「中国行きのスロウ・ボート」における語りの策略", 名古屋大学人文学フォーラム, 1, pp.186~187 (2018), 名古屋大学人文学フォーラム
- 村上春樹, "中国行きのスロウボート", pp.9~51 (1986), 中央公論新社
- 村上春樹, "やがて哀しき外国語", pp.112~116 (1997), 講談社
- 村上春樹, "ノルウェイの森(上)", pp.54~ (2004), 講談社
- 村上春樹, "ポートレイトインジャズ", pp.84~190 (2004), 新潮社
- 村上春樹, "村上ソングズ", pp.60~65 (2010), 中央公論新社
- 村上春樹, "村上春樹 雑文集", pp.185~186 (2011), 新潮社
- 村上春樹, "夢を見るために毎朝僕は目覚めるのです 村上春樹インタビュー集1997-2011", pp.388~390 (2012), 文藝春秋
- 村上春樹を読み解く会, "短編で読み解く村上春樹", pp.21~ (2017), マガジンランド
- 山根由美恵, "村上春樹「中国行きのスロウ・ボート」論--対社会意識の目覚め", 国文学攷, 173, pp.35~46 (2002), 広島大学国語国文学会
