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『지에코쇼』에 수록된 「지에코의 반생」 고찰

Consideration of “half life of Chieko” recorded in “Chiekosho”

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주제분류일본어와문학

초록

It was the painter of modern times in Japan, and Koutarou Takamura who was a poet became a poet of the love in book of verse "Chiekosho". As for "the half life of Chieko" that, by the way, collecting needs in his "Chiekosho", the book of verse writes in particular a born origin. As for "the half life of Chieko", I write it in a form to tell about birth of Chieko who was not drawn in book of verse "Chiekosho", breeding, a figure of Chieko and character, an encounter and marriage, the memory of the married life, an attack and a symptom, death of Chieko. In this report, I handled "half life of Chieko" that a precedent researcher used only with the supporting document of the study of the poetry mainly on a study of the poetry of "Chiekosho" as a main theme so far. The reason is because a message of the love of Kotaro for Chieko came. In other words, he tells you about her for the encounter that was not drawn as a lyrical word and the reader who read "Chiekosho" while changing a parting process. I think that this is another consideration of Kotaro for readers.

Abstract

It was the painter of modern times in Japan, and Koutarou Takamura who was a poet became a poet of the love in book of verse "Chiekosho". As for "the half life of Chieko" that, by the way, collecting needs in his "Chiekosho", the book of verse writes in particular a born origin. As for "the half life of Chieko", I write it in a form to tell about birth of Chieko who was not drawn in book of verse "Chiekosho", breeding, a figure of Chieko and character, an encounter and marriage, the memory of the married life, an attack and a symptom, death of Chieko. In this report, I handled "half life of Chieko" that a precedent researcher used only with the supporting document of the study of the poetry mainly on a study of the poetry of "Chiekosho" as a main theme so far. The reason is because a message of the love of Kotaro for Chieko came. In other words, he tells you about her for the encounter that was not drawn as a lyrical word and the reader who read "Chiekosho" while changing a parting process. I think that this is another consideration of Kotaro for readers.

참고문헌 (14)

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  2. 飛高隆夫, "智恵子抄", 国文学解釈と教材の研究, 18(14), pp.149~154 (1973), 学燈社
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  5. 杉本優, "‘智恵子抄’の実像と虚像", 国文学解釈と研究 臨時増刊号, pp.127~132 (1989), 学燈社
  6. 渡邊澄子, "高村光太郎の女性観", 国文学 解釈と鑑賞, pp.28~33 (1989), 至文堂
  7. 平岡民夫, "智恵子抄’研究", 国文学解釈と鑑賞, pp.66~71 (1998), 至文堂
  8. 湯原かの子, "高村光太郎-智恵子と遊ぶ夢幻の性-" (2003), ミネルヴァ書房
  9. 임온규, "高村光太郎詩小考-제시집 ‘智恵子抄’를 중심으로", 일본학논총, pp.173~194 (1992)
  10. 임용택, "智恵子抄’考 -천상적사랑을 중심으로", 일어일문학연구, 21, pp.281~310 (1992)
  11. 최인옥, "다카무라고타로高村光太郞)의 「『智恵子抄』(智惠子抄)연구-<나>의 <당신>에 대한 의미화 고찰", 일본학보, 7(2), pp.503~526 (2003)
  12. 김문봉, "다카무라 고타로(高村光太郞)시에 있어서 지에코(智惠子)상의 변화", 일본연구, (23), pp.267~299 (2004), 일본연구소
  13. "일본国立情報学研究所"[URL]
  14. "한국교육학술정보원홈페이지"[URL]

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