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가와바타 야스나리『이즈의 무희』와 황순원『소나기』비교 -시공간과 인물을 중심으로-

Comparison between Korean and Japanese famous short novels: Hwang Shun-won’s “Showers” and Yasunari Kawabata’s “Dancer of Izu”

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This article has tried to compare two famous short novels between Hwang Shun-won’s “Showers” andYasunari Kawabata’s “Dancer of Izu” in respect of time backgrounds, space backgrounds, andcharacters.This comparison has been resulted in the interesting three findings: Firstly, the timebackgrounds of two novels are fall commonly.Even though “Dancer of Izu” doesn’t have any specificdescription about the season of fall, “Shower” has a mixture scene summer and fall.The reason why twonovel has adopted fall as time background is that the separation of girls and boys has good agreementwith the emotional feeling of fall as time background; secondly, the space backgrounds of two novels aremountain areas commonly.“Shower” has the very vague but specific description of nature space, compareto “Dancer of Izu” tried to be concentrate on symbolizing nature as the images of the characters.In thetwo novels, the background of space is working for making more interesting narrative rather than anyrealized specific place; thirdly, the two works have the girls of the female protagonists, who are very actively to reach out to the boys.In spite of the class status and periodic circumstance they had beenfaced, two girls showed very aggressiveness in the novels.This aggressiveness is realized in the death ofgirl in the novel of “Showers’, the innocence of girl in the novel of “Dancer of Izu”.

Abstract

This article has tried to compare two famous short novels between Hwang Shun-won’s “Showers” andYasunari Kawabata’s “Dancer of Izu” in respect of time backgrounds, space backgrounds, andcharacters.This comparison has been resulted in the interesting three findings: Firstly, the timebackgrounds of two novels are fall commonly.Even though “Dancer of Izu” doesn’t have any specificdescription about the season of fall, “Shower” has a mixture scene summer and fall.The reason why twonovel has adopted fall as time background is that the separation of girls and boys has good agreementwith the emotional feeling of fall as time background; secondly, the space backgrounds of two novels aremountain areas commonly.“Shower” has the very vague but specific description of nature space, compareto “Dancer of Izu” tried to be concentrate on symbolizing nature as the images of the characters.In thetwo novels, the background of space is working for making more interesting narrative rather than anyrealized specific place; thirdly, the two works have the girls of the female protagonists, who are very actively to reach out to the boys.In spite of the class status and periodic circumstance they had beenfaced, two girls showed very aggressiveness in the novels.This aggressiveness is realized in the death ofgirl in the novel of “Showers’, the innocence of girl in the novel of “Dancer of Izu”.

참고문헌 (10)

  1. 김동환, "초본(初本)과 문학교육", 문학교육학, (26), pp.279~303 (2008), 한국문학교육학회
  2. 김용안, "한ㆍ일 소설의 피안(彼岸) 이미지 소고- 『소나기』와 『이즈의 춤 소녀(伊豆の踊り子)』를 중심으로 -", 일어일문학연구, 73(2), pp.181~201 (2010), 한국일어일문학회
  3. 박덕규, "6․25 피난 공간의 문화적 의미- 황순원의 「곡예사」 외 3편을 중심으로", 비평문학, (39), pp.106~132 (2011), 한국비평문학회
  4. 박원복, "비교문학 관점에서 본 영향과 수용문제", 세계문학비교연구, pp.93~ (2004), 세계문학비교학회
  5. 이지은, "<소나기>의 교육적 가치와 교수 방안 연구", 석사, 국어교육, pp.2009
  6. 장현숙, "황순원 문학연구", pp.156~ (2005), 푸른사상사
  7. 황현지, "고등학교 문학 교과서에 수록된 황순원 소설 연구 : 교육과정 변천에 따른 소설 수록 양상 중심으로", 석사, 국어교육전공, pp.2012
  8. 勝呂奏, "川端康成「伊豆の踊子」論ー<伊豆>からの視界", 上智大学国文学論集, (34), pp.42~ (2001), 上智大学
  9. 近藤裕子, "『伊豆の踊子』論(中)ー作品論の可能性", 日本文学, (50), pp.41~ (1978), 東京女子大学
  10. 清水節治, "川端康成『伊豆の踊り子』ー旅芸人一座の交流、癒される孤独感", 月刊国語教育, pp.67~ (1998), 東京法令出版

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