나쓰메 소세키(夏目漱石)와 이광수(李光洙)의작품에 나타난 여성에 대한 시선
A look at women in the works of Gwang-su Lee and Soseki Natsume
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
In Japan at the end of the 19th century, human beings, which had been subdivided by status and class, were transformed into a homogeneous community called the people. And they were divided into men and women. Along with the formation of a national anthem, humans are given equal rights. The man who speaks there refers to a man. Women or those who do not have nationality were excluded. Soseki Natsume and Lee Kwangsoo are the authors of modern Japan and Korea. I want to compare and analyze how they reveal women in their works and find out what they mean. Soseki said in his work that the meaning of the wise lady is not a wife who obeys her side indefinitely. He described himself as a man of firm individuality and equal to his husband. Under the emperor system, such remarks were cautious. So it was expressed through the form of ‘Future stories’. Through his work, Lee also claimed that women suffered hardship due to the side effects of early marriage, the need for women's education, and that parasites and daughters, who were then recognized as goods and possessions, were human beings. Both authors viewed women as personalities. This was an advanced view of the times.
Abstract
In Japan at the end of the 19th century, human beings, which had been subdivided by status and class, were transformed into a homogeneous community called the people. And they were divided into men and women. Along with the formation of a national anthem, humans are given equal rights. The man who speaks there refers to a man. Women or those who do not have nationality were excluded. Soseki Natsume and Lee Kwangsoo are the authors of modern Japan and Korea. I want to compare and analyze how they reveal women in their works and find out what they mean. Soseki said in his work that the meaning of the wise lady is not a wife who obeys her side indefinitely. He described himself as a man of firm individuality and equal to his husband. Under the emperor system, such remarks were cautious. So it was expressed through the form of ‘Future stories’. Through his work, Lee also claimed that women suffered hardship due to the side effects of early marriage, the need for women's education, and that parasites and daughters, who were then recognized as goods and possessions, were human beings. Both authors viewed women as personalities. This was an advanced view of the times.
참고문헌 (37)
- 李光洙, "李光洙全集" (1978), 三中堂
- 夏目漱石, "漱石全集" (1979), 岩波書店
- 고모리 요이치, "나는 소세키로소이다", pp.155~180 (2006), 이매진
- 김기석, "한국교육사", pp.243~ (2005), 교육과학사
- 김봉구, "李光洙硏究(上)", pp.67~ (1984), 태학사
- 김윤식, "이광수와 그의 시대1", pp.535~ (2008), 솔출판사
- 金定一, "日本帝國主義 侵略과 韓國敎育政策 : 1930年을 전후하여", 論文集, 3, pp.40~ (1981), 韓國體育大學校
- 박유하, "내셔널 아이덴티티와 젠더", pp.205~230 (2011), 문학동네
- 백철, "國文學全史", pp.271~272 (1979), 新丘文化社
- 서연호, "한국 극문학사상에서 본 춘원", 어문논집, 10(1), pp.31~ (1967), 안암어문학회
- 유상희, "나쓰메 소세키(夏目漱石)연구", pp.182~ (2001), 보고사
- 이권희, "메이지(明治) 후기 국민교육에 관한 고찰 :창가(唱歌)를 통한 신민(臣民) 형성과정을 중심으로", 아태연구, 19(1), pp.109~140 (2012), 국제지역연구원[DOI]
- 이노우에 키요시, "일본여성사", pp.299~ (2004), 어문학사
- 이명실, "논쟁으로 보는 일본 근대교육의 역사", pp.254~255 (2017), 살림터
- 이정숙, "<규한>의 근대의식 연구", 한국극예술연구, (19), pp.105~131 (2004), 한국극예술학회
- 임지현, "오만과 편견", pp.298~300 (2003), 휴머니스트
- 장남호, "나츠메 소세키(夏目漱石) 연구 -『坊っちゃん(도련님)』과 이광수의 『무정』의 비교를 중심으로", 인문학연구, 28(1), pp.20~ (2001), 충남대학교 인문과학연구소
- 장미경, "근대한일 여성교육과 소설 연구", 박사, 일어일문학, pp.2008
- 조영석, "소세키의 자본주의 인식에 대한 연구－『나는 고양이로소이다(吾輩は猫である)』를 중심으로－", 日本學硏究, 18, pp.225~254 (2006), 일본연구소
- 최연, "나쓰메소세키의 전기삼부작 연구", pp.38~43 (2005), 제이앤씨
- 한일여성공동역사교재 편찬위원회, "여성의 눈으로 본 한일 근현대사", pp.29~ (2005), 한울아카데미
- 홍혜원, "이광수 소설에 나타난 여성상과 근대성", 현대소설연구, 16, pp.115~134 (2002), 한국현대소설학회
- 황정현, "여성주의적 시각과 『무정』 연구사", 춘원연구학보, (11), pp.61~89 (2017), 춘원연구학회
- 石原千秋, "漱石はどう読まれてきたか", pp.201~ (2010), 新潮社
- 石原千秋, "漱石入門", pp.117~118 (2016), 河出書房新社
- 伊豆利彦, "漱石と天皇制", pp.263~ (1989), 有精堂
- 岩橋邦枝, "『明暗』の女たち", 国文学解釈と鑑賞, 70(6), pp.191~ (2005), 至文堂
- 内田道雄, "漱石文学における男と女", 国文学解釈と鑑, 55(9), pp.10~11 (1990), 至文堂
- 江藤淳, "夏目漱石", pp.10~11 (1966), 河出書房新社
- 江藤淳, "漱石とその時代", pp.372~389 (2006), 新潮社
- 江種満子, "『吾輩は猫である』ジェンダー社会の中の｢個性｣と｢平等", 国文学解釈と鑑賞, 70(6), pp.110~ (2005), 至文堂
- 河野多恵子, "夏目漱石Ⅱ", pp.88~ (1984), 河出書房新社
- 高浜虚子, "漱石氏と私", pp.79~85 (1918), 書店アルス
- 中島国彦, "漱石作中人物事典", 夏目漱石辞典 - 別冊国文学, 8, pp.77~ (1990), 学燈社
- 平岡敏夫, "夏目漱石Ⅰ", pp.163~ (1990), 有精堂
- 福田清人, "夏目漱石-人と作品3", pp.45~47 (1991), 清水書院
- 渡辺澄子, "ジェンダーで読む夏目漱石", 国文学解釈と鑑賞, 70(6), pp.10~11 (2005), 至文堂