20세기 미국과 독일 현대무용의 상호영향에 관한 연구 -1910~30년대를 중심으로-
A Study on the Influence Between The United States and Germany in 20th-century Modern Dance : Focused on 1910~1930
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This Study focused on 1910-1930, when a rebellion against conventional notion of society. Interrelation and interactions between German and American modern dancers, which are particularly meaningful in explaining the evolution of modern dance as a distinctive twentieth-century art. The modern dance developed by Germany and The United States in 20C's century. During the first decade of the twentieth century, Isadora Duncan, the American dance pioneer, found spiritual and physical renewal and the urge for self-expression. Duncan's great professional success was in Germany. Neither America nor can claim direct line of influence. World War I broke out, Laban developed internal rhythm in dance movement. He became the leader of the "New German Dance" and Mary Wigman, who was a Laban's student, after completed the expressive dance where form and the inner world were unified. During the twentieth, Laban o Wigman o Jooss shifted the scene of dance to Germany, creating the European modern dance. America's expressive dance influenced by Wigman and her student -Hanya Holm, Harald Kreutzberg, Gret Palucca, Yvonne Georgi, Max Terpis, Margarethe Wallmann- became well known representatives in this field. Expressive dance moved along from Wigman to Graham, turning gradually into a way of dance. As a result, the study found that Germany and The United States has crosscurrents and influence each other. The art representing contemporary history and society, culture and human nature has always been changing with historical transition.
Abstract
This Study focused on 1910-1930, when a rebellion against conventional notion of society. Interrelation and interactions between German and American modern dancers, which are particularly meaningful in explaining the evolution of modern dance as a distinctive twentieth-century art. The modern dance developed by Germany and The United States in 20C's century. During the first decade of the twentieth century, Isadora Duncan, the American dance pioneer, found spiritual and physical renewal and the urge for self-expression. Duncan's great professional success was in Germany. Neither America nor can claim direct line of influence. World War I broke out, Laban developed internal rhythm in dance movement. He became the leader of the "New German Dance" and Mary Wigman, who was a Laban's student, after completed the expressive dance where form and the inner world were unified. During the twentieth, Laban o Wigman o Jooss shifted the scene of dance to Germany, creating the European modern dance. America's expressive dance influenced by Wigman and her student -Hanya Holm, Harald Kreutzberg, Gret Palucca, Yvonne Georgi, Max Terpis, Margarethe Wallmann- became well known representatives in this field. Expressive dance moved along from Wigman to Graham, turning gradually into a way of dance. As a result, the study found that Germany and The United States has crosscurrents and influence each other. The art representing contemporary history and society, culture and human nature has always been changing with historical transition.