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진도북춤의 중화中和 사유적 분석

A study on the Jindo-Drum-Dance interpret with thought of the neutralization

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This study aims at revealing the aspect of the thought of the aesthetics of the neutralization which has appeared in the Jindo-Drum-Dance. Hence in this script, in order to find the aspect of the beauty of the Republic of China which can be explained to the Jindo-Drum-Dance, this study examines how aesthetics of the neutralization has related and to which aspect it has been explained in the beauty-consciousness of the thought of beauty of the neutralization and jindo-Drum-Dance on the foundation of books precedent and studies precedent. It also draws the thought of aesthetics of the neutralization within JindoDrum-Dance to which has been applied the expression principle of ‘harmonious but different’ and ‘innocent but different’, with which we can reveal the distinctive features and identity of Jindo-Drum-Dance by understanding the characteristics of the motion and rhythm of Jindo-Drum-Dance. Thus, it explores thought of the Republic of china and beauty-consciousness first, through the understanding of『Moderate』with which we can understand the concrete practical methods of Jindo-Drum-Dance which has been explained with the thought of aesthetics of the neutralization. Second, it develops the philosophy of aesthetics by applying the moderate aesthetics and thought of aesthetics of aesthetics of the neutralization. Third, in order to reveal the concept of the true sense of aesthetics of the neutralization, it displays diverse motions in stillness and beauty of movement within stillness by expressing the spirit of ‘harmonious but different’ and ‘innocent but different’ These results of Jindo-Drum-Dance, which could be explained with the thought of aesthetics of the neutralization hold values in the aspect of practical use of new reference at the present when there are few references analyzed by aesthetics and philosophy. Therefore this study has its meaning and value in that it has studied the historical references concerning Jindo-Drum-Dance and that I have got fruits even if insufficient.

Abstract

This study aims at revealing the aspect of the thought of the aesthetics of the neutralization which has appeared in the Jindo-Drum-Dance. Hence in this script, in order to find the aspect of the beauty of the Republic of China which can be explained to the Jindo-Drum-Dance, this study examines how aesthetics of the neutralization has related and to which aspect it has been explained in the beauty-consciousness of the thought of beauty of the neutralization and jindo-Drum-Dance on the foundation of books precedent and studies precedent. It also draws the thought of aesthetics of the neutralization within JindoDrum-Dance to which has been applied the expression principle of ‘harmonious but different’ and ‘innocent but different’, with which we can reveal the distinctive features and identity of Jindo-Drum-Dance by understanding the characteristics of the motion and rhythm of Jindo-Drum-Dance. Thus, it explores thought of the Republic of china and beauty-consciousness first, through the understanding of『Moderate』with which we can understand the concrete practical methods of Jindo-Drum-Dance which has been explained with the thought of aesthetics of the neutralization. Second, it develops the philosophy of aesthetics by applying the moderate aesthetics and thought of aesthetics of aesthetics of the neutralization. Third, in order to reveal the concept of the true sense of aesthetics of the neutralization, it displays diverse motions in stillness and beauty of movement within stillness by expressing the spirit of ‘harmonious but different’ and ‘innocent but different’ These results of Jindo-Drum-Dance, which could be explained with the thought of aesthetics of the neutralization hold values in the aspect of practical use of new reference at the present when there are few references analyzed by aesthetics and philosophy. Therefore this study has its meaning and value in that it has studied the historical references concerning Jindo-Drum-Dance and that I have got fruits even if insufficient.

참고문헌 (7)

  1. 백현순, "한국춤의 정중동(靜中動)과 신명", 한국무용연구, 28(1), pp.41~60 (2010), 한국무용연구학회
  2. 신옥주, "항목 『서법아언』의 중화미학사상 연구", 석사, 서예학, pp.2010
  3. 류봉자, "소암 현중화의 서예술 연구", 석사, 서예, pp.2002
  4. "文淵閣四庫全害醫子版-原文及 全文檢索版" (1999), 迪志文化出版有限公司
  5. 白居易, "白氏長慶集"
  6. "菜根譚", ~

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