북한문학에서 ‘온달’의 형상화 연구

Abstract

‘Ondal’ has been continuously emphasized in North Korean literary history. Because the figure of a Goguryeo person who grew to a hero from lowly status, excellent in narration and martial arts, with wisdom and courage could be found in Ondal. Ondal, prepared with humanism and patriotism, was proper for the political and social aim of North Korea. Ondal, embodied in Jo, ryeongchul’s <Ondaljeon>, is valuable to receive attention as the people’s hero. He has an intelligent, adventurous and natural character, firmly standing in hardships. Pincess Pyeonggang, nevertheless the King’s daughter, who was embodied as a person who always felt true pleasure and human love in the commoners, while having antipathy against the aristocrat class including Wooro. The characters who achieved contribution to the war also were the commoners as brave Asawol, Euljiso, and Cheolji, etc. instead of the aristocrat class. If <Ondal> of Samguksagi showed a tie between a commoner and the princess, Jo, ryeongchul’s work is a story of a hero combined with love conflict to pursue independent love that a princess, a representative class of aristocrat class, and Ondal, a hero of common people and the mission of the historical period, Goguryeo Bowi. The point that the pride in Goguryeo and the ideology of Bowi were more intensively treated was based on the cognition that North Korea is the successor of the spirit of Goguryeo.