<유리동물원> 어맨다의 시뮬라크르적 캐릭터 구축 연구: 루스 자포라의 액션 시어터를 중심으로

Abstract

The research is based on to figure out the simulative character of Amanda in The Glass Menagerie, and aiming to seek the way for it to embody. In the point of simulacre, The Glass Menagerie is an established hyperreal by the simluation of Tom. The character of Amanda can be interpreted into simulative character, which belongs to hyperreal. In hyperreal, duplication functions over the replacement of original and continuously being derived. Through the consumption of these characteristics, the character in The Glass Menagerie is the duplication to function by new original. Furthermore, it is comprehended to an independent existence that can be continuously derived on each narrative style. Therefore, the actor, who participates on The Glass Menagerie, is needed an diegesis acting approach method to embody various simulative character on each independent narrative style, rather than mimesis. While the action theatre of Ruth Zaporah might contribute to embody of character by the use of acting tool to actor’s simulation. The action theatre is an immediate training program that awake participant on how they perceive about the world. Through this program, it makes being able to perceive the existing from the out of obstructing stereotype. The action theatre is exposed various existences by the basis of actor’s own phenomenological body, and it could be understood as the purpose of the lead on transformation. With the consideration of these characteristics, the action theatre is understood as an flexible acting tool to actor, who establishes and manages diverse simulative character in hyperreal. By the basis of the above understanding, this research is to demonstrate the flexible utilization of action theatre in to embody of simulative character through the example of the real performance. The result of this research is expected to utilize as useful advanced research analysis for other research and performance on hyperreal and simlulative character.