디지털시대의 미디어 무용의 창작 제작을 위한 과제와 대응

Abstract

Names representing modern society are emerging as they compete for speed. Although each name, such as “digital age”, “media age”, and “AI age” has slightly different meanings, all of them emphasize certain phenomena of the times in modern society. The modern phenomenon in which all data and information are being digitized with the develop ment of technology is called the “digital age”. The expression “digital age” is suitable to represent the modern era in that digital technologies such as smartphones, computers, and the Internet are deeply permeated into all aspects of life and the digital transformation is causing changes in various fields such as society, economy, and culture. As digital technology created a media environment in which individuals could easily produce content and communicate with the public, a new cultural con sumption method was introduced, and a large amount of participation and communication culture were formed. This posed a huge task to the performing arts world. Especially, dance art in the digi tal-centered modern era faces many challenges and problems such as the gap between existing meth od of creating dance works and creating works in digital media culture. Above all, I faced the task of dismantling the physical time and space in which dance works are distributed and integrating the body and media in various media technologies and media spaces. The development of streaming technology that transcends the limits of time and space and interactive technology that enables mu tual communication at any time requires great change in dance art. Thanks to digitalization and the development of information technology, the numerical production and distribution of media dance is expanding its scope. Accordingly, it revealed the indiscriminate production and distribution of dance images, the side effects, the responsibility for maintaining the value and characteristics of media dance, and the current status and problems of creative production facing dance art in the digital age. The need for more research on dance creation in the media space in response to the needs of the digital age, especially the problems of the art major curriculum at universities that are vulnerable to media dance creation and reality response, will be examined and the direction of the future develop ment of media dance in the digital age will be determined.