‘KBS 시사기획 창’ <GPS와 리어커>(2022)의 서사 구성 방식에 관한 분석: 서사 연구의 구조적 틀을 바탕으로

Abstract

We explored the way the narrative was constructed by taking GPS and Rear Ca, a 48-minute documentary video aired in 2022 through a television program called KBS Current Affairs Project Window, as the subject of analysis. We used the structural framework of narrative research as a theoretical foundation, and as a result, we reached the following conclusions. First, GPS and Rear Car consists of three main parts: an introduction of 7 minutes and 30 seconds, a central part of 32 minutes and 10 seconds, and an ending of 8 minutes and 47 seconds. The introduction includes the title, prologue, and representative interview subjects. In the center, key information such as ‘labor conditions’ revealed through GPS, the resulting ‘research results’, and ‘future measures’ are presented. And in the ending, the interview subject reappears and an epilogue and title are presented. Second, in GPS and Rear Car, the relationships between major people, objects, and other objects are set as serial symmetrical relationships and similar relationships. Through this, implicit meanings such as poverty, hardship, hardship, despair, meanness, hunger, incompetence, and transience of life arise. Third, GPS and Rear Car utilizes interview footage of elderly people and expert groups to stimulate viewers’ emotions while ensuring realism. In addition, this strengthens its character as a human documentary and current affairs documentary. In addition, the effectiveness of expression is maximized through appropriate use of editing composition, use of shots, and other video techniques. Fourth, GPS and Rear Car creates the meaning of each scene through two step-by-step processes and allows universal expansion of meaning based on its deep structure. This gives logical validity to the reality and seriousness of the poverty problem among the elderly.