Being Chanthaly, Becoming Lao Cinema
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Mattie Do’s Chanthaly (2012) is the first horror film directed by a Laofilmmaker and the ninth Lao film produced in the highly state-regulatedfilm industry of post-socialist Laos PDR. The paper locates Chanthaly’sposition in the development of Lao film history, particularly in light ofthe political and cultural conditions and constraints that have shaped thecountry’s national cinema. It also explains the significance of Chanthaly’sarrival in relation to the circumstances of its production. Finally, it offersan interpretation of the film’s narrative of haunting as a spectral doubleof Lao cinema, demonstrating how the film transcends the binary themesthat have produced simplistic and exoticized images of Laos onscreenand opens up the possibilities of conceptualizing new futures for Laofilms.
Abstract
Mattie Do’s Chanthaly (2012) is the first horror film directed by a Laofilmmaker and the ninth Lao film produced in the highly state-regulatedfilm industry of post-socialist Laos PDR. The paper locates Chanthaly’sposition in the development of Lao film history, particularly in light ofthe political and cultural conditions and constraints that have shaped thecountry’s national cinema. It also explains the significance of Chanthaly’sarrival in relation to the circumstances of its production. Finally, it offersan interpretation of the film’s narrative of haunting as a spectral doubleof Lao cinema, demonstrating how the film transcends the binary themesthat have produced simplistic and exoticized images of Laos onscreenand opens up the possibilities of conceptualizing new futures for Laofilms.
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