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예이츠의 「청금석 부조」: 비극적 현실을 변모시키는 예술적 명랑성

W. B. Yeats’s “Lapis Lazuli”: Artistic Gaiety Transfiguring the Tragic Reality

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초록

William Butler Yeats, as has shown in “Lapis Lazuli,” created a heroic mask, an alternate self or an anti-self, through artistic imagination. With its free spiritual and artistic gaiety, he thought he could overcome the tragic reality and accomplish salvation by making social, as well as individual change. Saying, “literature has to be a container of truth, and art has to create the values,” he wanted to elevate art and artist to a position of such eminence as only God pertains to. But even though Yeats advocated art’s religious function in his work, it should not be thought of as resembling the Christian renewal of the mind and rebirth. The great awakening through artistic gaiety that Yeats speaks of can be compared to the salvation of the so-called self-religion, such as Buddhism or Zen Buddhism, where they reach the spiritual realm of deliverance through their own efforts. However, Christian salvation can be accomplished only by the grace and providence of God. Man can never reach divine perfection and sanctity with his own efforts, none. We should see “Lapis Lazuli” as the pinnacle of his humanistic affirmation, representing his philosophy of poetry in general. We could admire his most humane aspect in that he saw death as a moment of perfection of self-image, and tried to have the sense of tragic gaiety in the midst of the ugly tragedy.

Abstract

William Butler Yeats, as has shown in “Lapis Lazuli,” created a heroic mask, an alternate self or an anti-self, through artistic imagination. With its free spiritual and artistic gaiety, he thought he could overcome the tragic reality and accomplish salvation by making social, as well as individual change. Saying, “literature has to be a container of truth, and art has to create the values,” he wanted to elevate art and artist to a position of such eminence as only God pertains to. But even though Yeats advocated art’s religious function in his work, it should not be thought of as resembling the Christian renewal of the mind and rebirth. The great awakening through artistic gaiety that Yeats speaks of can be compared to the salvation of the so-called self-religion, such as Buddhism or Zen Buddhism, where they reach the spiritual realm of deliverance through their own efforts. However, Christian salvation can be accomplished only by the grace and providence of God. Man can never reach divine perfection and sanctity with his own efforts, none. We should see “Lapis Lazuli” as the pinnacle of his humanistic affirmation, representing his philosophy of poetry in general. We could admire his most humane aspect in that he saw death as a moment of perfection of self-image, and tried to have the sense of tragic gaiety in the midst of the ugly tragedy.

참고문헌 (22)

  1. 홍성숙, "예이츠 시에 나타난 니체의 영향", 한국 예이츠 저널, 36, pp.307~324 (2011), 한국예이츠학회
  2. Aristotle, "Poetics" (1967), U of Michigan P
  3. Arnold, Matthew, "Criticism: Major Statements" (2000), Bedford
  4. Arnold, Matthew, "Tristram and Iseult" (2010), Kessinger
  5. Auden, W. H., "Collected Poems" (1991), Vintage
  6. Brunner, Larry, "Tragic Victory: The Doctrine of Subjective Salvation in the Poetry of W. B. Yeats" (1987), Whitston
  7. Coleridge, Samuel Taylor, "The Complete Poems" (1997), Penguin
  8. Ellmann, Richard, "The Identity of Yeats" (1964), OUP
  9. Ellmann, Richard, "Yeats; The Man and the Masks" (1948), Macmillan
  10. Moore, Virginia, "The Unicorn: William Butler Yeats’s Search for Reality" (1954), Macmillan
  11. Nietzsche, Friedrich Wilhelm, "Nietzsche: The Birth of Tragedy and Other Writings" (1999), Cambridge UP
  12. Nietzsche, Friedrich Wilhelm, "Nietzsche: Thus Spoke Zarathustra" (2006), Cambridge UP
  13. Reid, B. L., "William Butler Yeats: The Lyric of Tragedy" (1961), U of Oklahoma P
  14. Sidney, Sir Philip, "Criticism: Major Statements" (2000), Bedford
  15. Snukal, Robert, "High Talk: the Philosophical Poetry of W. B. Yeats" (1973), Cambridge UP
  16. Yeats, William Butler, "Autobiographies" (1966), Macmillan
  17. Yeats, William Butler, "Collected Poems" (1961), Macmillan
  18. Yeats, William Butler, "Essays" (1924), Macmillan
  19. Yeats, William Butler, "Essays and Introductions" (1961), Macmillan
  20. Yeats, William Butler, "Letters on Poetry from W. B. Yeats to Dorothy Wellesley" (1940), OUP
  21. Yeats, William Butler, "Plays and Controversies" (1924), Macmillan
  22. Yeats, William Butler, "Mythologies" (1918), Macmillan

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