민속춤 예인들의 연행분석을 기반으로 한 안무법 연구 - 경상도 탈춤을 기반으로 한 <섞어잽이> 제작과정을 중심으로 -

Abstract

In this research paper, I analyzed the performance of folk dance artists and studied a choreography plan to produce new dances while maintaining the traditional movements and styles of folk dances. The analyzed performances of folk dance artists were largely divided into 'How to make a dance move', 'How to organize the order of dance', 'How to compose a dance paragraph'. 'How to make a dance move' had a method of dismantling and combining based on the upper and lower body of the dance move and a method of transforming it with the existing dance move as a motif. 'How to organize the order of dance' had a method of constructing the order of dance by attaching the dance paragraphs made by tying he dances to the front and back, a dance path that analyzed the movement of other mask dance roles, and a method of constructing the order of dance by analyzing the dance moves by type and dividing them so that they could be placed on the dance path. As a 'How to organize dance paragraphs', this paper summarizes the methods of Gyeongsang-do folk dance artists constructing 'Baegimsawi' and improvisational scenes. Based on the choreography method that was previously organized by studying the performance methods of the predecessor folk dance artists, the curriculum conducted in the university curriculum was summarized as follows. First, my students and I learned the basic dance and <Dongnaehakchum> among the six types of Mask dances in Gyeongsang-do, analyzed them, dismantled them, and organized them. Second, students were shared with each other to create their own dance moves based on the dismantled dance moves. Third, after that, the team was divided into four teams and taught how to organize the improvisation dance and dance sequence to complete the dance for about three minutes. Fourth, it was organized based on the order of <Basic Dance> of 'Goseong Ogwangdae', which was analyzed based on the existing traditional dances and the dances produced. After the overall order was established, <Suckkeojaebi> was choreographed through a process of breaking the dance path of 'Basic Dance'. Finally, the process of reinforcing the work was organized based on the process of continuously performing <Suckkeojaebi>, similar to the actions of the predecessor folk dance artists.