중첩을 활용한 신한복 디자인

Abstract

In this study, Hanbok is showing its potential as a new Hallyu content amid the wave of the new Hallyu, so it was intended to present a new hanbok design with a modern sense that has no sense of difference in modern people's lives and is carried out regardless of the times. The new hanbok design used overlapping, a traditional Korean aesthetic consciousness and a technique of modern fashion. The design method was to select seven traditional and four modern clothes to intuitively select lines created by overlapping silhouettes and details, and to complete the intuitive overlapping design using black, white, blue, and red, excluding yellow reflected on transparent fabric among the five colors. The first new hanbok design was designed through the penetration of liquid wrinkles and Western coats, and it was presented to play a functional role such as helping and identifying traditional clothes through modern techniques overlapping collars, and a design that reveals transparency and body beauty was completed through materials. The second new hanbok design is a top in the form of Danryeong, expressed by utilizing the ambiguity of hanbok, and pleated pants from the Three Kingdoms period with a silk belt. A design that reflects the duality of exposure and concealment and a sense of space was completed. The third new hanbok design is a bolero jacket that overlaps a jang-ot and a yung-bock in the case of the top. The sleeves and length are traditionally designed, and the facing collar of the jangot is designed in a way that overlaps with a convertible collar. By overlapping the skirts and making the material transparent, it was completed so that you can feel the sense of transparency, duality, and space.