아랍시의 전통과 형식에 대한 견해들-현대 아랍 자유시 운동을 주도한 시인·비평가들을중심으로-

Abstract

In the twentieth century Arabic poetry has undergone momentous changes. It has experienced a number of schools and trends, and has generated several movements. Arab poets experimented in a few decades　with　many　trends　which　acquired　centuries　of　experimentation in the West. So after 1950's the New Poetry became a poetic movement and gained a great popularity. The movement was introduced and pioneered by poets such as Nazik Malaikah, Badr Shakir Sayyab, Abdul Wahab Bayyati, Nizar Qabbani, Salah Abd Sabur and Adonis and so on. The goal of the New Poetry was to open new horizons for the poet in order to create and experiment the new. These experiments were performed by several leading poet-critics both in their theories and their practices. I chose four leading poet-critics whose poetry is representative of the New Poetry. They are Salah Abd Sabur, Nizar Qabbani, Adonis(Ali Ahmad Said) and Nazik Malaikh. They were in the same generation and all of them were considered to be leading poets. Also they had their own views of modern and traditional arabic poetry. I think the understanding of the views about the tradition and the form of the several leading poet-critics is necessary for the understanding of the modern arabic poetry. So I studied the views of above-mentioned poet-critics by dividing into two chapters, the views of the tradition and the views of the form.