판타지와 작가주의 -기예르모 델 토로의 영화를 중심으로-
A Study on the Fantasy and the Auteurism -Focusing on the films of Director Guillermo del Toro-
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A film made with new media cultural values, which are not afraid to experiment with innovative things, while being entertaining and making a personal statement in the film, is another way of taking a new perspective and understanding the world. Alex de la Iglesia, Enrique Urbizu and Óscar Aibar etc., embodied the “young cinema” that has helped pave the way for Bayona, Amenabar, Balagueró or Latin American productions of Guillermo del Toro, which open completely the window to infuse different air into Spanish cinema. In short, it is a generation of film-makers who, despite the disparity of issues and concerns, appear united by their love of genre cinema with special predilection for the fantastic and the action thrillers. This new trend or this globalization trend reflecting the new film generation, causes profound change of culture and cinema, exceeding the national limit, and does arouse interest of transnational activities. This study aims to analyze fantasy and auterism in such movies of Guillermo del Toro as Cronos, The Devil’s Backbone and Pan’s Labyrinth, and find a tendency of the film industry of Spain and Latin America in recent years.
Abstract
A film made with new media cultural values, which are not afraid to experiment with innovative things, while being entertaining and making a personal statement in the film, is another way of taking a new perspective and understanding the world. Alex de la Iglesia, Enrique Urbizu and Óscar Aibar etc., embodied the “young cinema” that has helped pave the way for Bayona, Amenabar, Balagueró or Latin American productions of Guillermo del Toro, which open completely the window to infuse different air into Spanish cinema. In short, it is a generation of film-makers who, despite the disparity of issues and concerns, appear united by their love of genre cinema with special predilection for the fantastic and the action thrillers. This new trend or this globalization trend reflecting the new film generation, causes profound change of culture and cinema, exceeding the national limit, and does arouse interest of transnational activities. This study aims to analyze fantasy and auterism in such movies of Guillermo del Toro as Cronos, The Devil’s Backbone and Pan’s Labyrinth, and find a tendency of the film industry of Spain and Latin America in recent years.
참고문헌 (37)
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